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Published as a companion to an exhibition of the same name at The Neuberger Museum of Art, this illustrated catalogue features essays detailing the show's curatorial rationale, preparatory images and texts (designed by the nine featured artists) used in the production of their new commissions, and full color layouts of selected previous works by each of them. The exhibition (February 1-May 7, 2023) comprises a succession of nine incredible artists - Jesus Benavente, Daniel Bozhkov, Nao Bustamante, Patty Chang, Emily Coates, Brendan Fernandes, Amber Hawk Swanson, Autumn Knight, and Alix Pearlstein - who transform the museum into an active site of collaboration and investigation for a series o...
Explores artistic production surrounding the world's most famous public transportation system, from just before its opening in 1904 onwards. Using images, this work offers perspectives on ways in which the subway has been used as a subject about which to make art, as a site within which to make art, and as a canvas upon which to make art.
The Black Star Collection at The Image Centre: the expectations, challenges, and results of a decade of research in a key photo agency’s print collection. In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution ...
Eros and Oneness / Tamara H. Schenkenberg -- Elective Affinities: Hannah Wilke's Ceramics in Context / Glenn Adamson -- Needed Erase Her? Don't. / Connie Butler -- Daughter/Mother / Catherine Opie -- Ha-Ha-Hannah / Jeanine Oleson -- Cycling Through Gestures to Strike a Pose / Nadia Myre -- Play and Care / Hayv Kahraman -- Cindy Nemser and Hannah Wilke in Conversation, 1975.
A history of New York subway passengers as they navigated the system's constraints while striving for individuality, or at least a smooth ride. When the subway first opened with much fanfare on October 27, 1904, New York became a city of underground passengers almost overnight. In this book, Stefan Höhne examines how the experiences of subway passengers in New York City were intertwined with cultural changes in urban mass society throughout the twentieth century. Höhne argues that underground transportation--which early passengers found both exhilarating and distressing--changed perceptions, interactions, and the organization of everyday life.
In recent years, American art scholars have increasingly focused on the importance of cross-cultural exchanges during the nineteenth century. As essayist François Brunet puts it, mid-nineteenth century landscapes were “transnational . . . permeated by complex transactions where ‘American’ originality produced itself not only in imitation of or reaction against ‘European’ influences, . . . but as critical mirroring and incorporating of ‘European’ images.” Articles in this collection make clear that the “conversation of cultures” went both ways, with American artworks and culture also affecting European artistic and literary practice. Essays explore the transnational origi...
Three mysteries precipitate an investigation into an otherwise ordinary suburban property, revealing a past inextricably woven into four centuries of American history. When Eleanor Phillips Brackbill bought her suburban Westchester house in 2000, three mysteries came with it. First, from the former owner, came the information that the 1930s house was a Sears house or something like that. Thrilled to think it might be a Sears, Roebuck & Co. mail-order house, Brackbill was determined to find evidence to prove it. She found instead a house pedigree of a different sort. Second, and even more provocative, was the discovery of several iron stakes protruding from the propertys enormous granite outc...
Using examples from architecture, film, literature, and the visual arts, this wide-ranging book examines the significance of New York City in the urban imaginary between 1890 and 1940. In particular, Imagining New York City considers how and why certain city spaces-such as the skyline, the sidewalk, the slum, and the subway-have come to emblematize key aspects of the modern urban condition. In so doing, Christoph Lindner also considers the ways in which cultural developments in the late nineteenth and early twentieth centuries set the stage for more recent responses to a variety of urban challenges facing the city, such as post-disaster recovery, the renewal of urban infrastructure, and the remaking of public space.
Explores the basis of Kant's anti-naturalist, secular, humanist vision of human flourishing, presented in an accessible and engaging way.