You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Who would have thought a chair could be so wise? The Old Green Chair tells in story form how solutions to seemingly impossible problems are there for the finding. The second in THE HOUSE SERIES OF PICTURE BOOKS FOR CHILDREN, this charming story shows that when it seems things couldn’t get any worse, life can take a turn that could hardly be better.
Covers work from the 1940s to the late 1990s, identifying intersecting aims and ideas.
Attractively illustrated book which explores the life and career of this renowned Australian artist from the 1920s to the present. Contains a catalogue raisonn}, list of principal exhibitions, summary of biographical details and an extensive bibliography are included. The hardback is a limited edition.
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as ...
’The Knife And The Fork Go Dancing’ is a delightful story in which the main characters of the dinner table discover a way to end all squabbles. A young boy is let into their secret world when they find, quite by accident, that helping each other can change not only their working lives, but dinner time for him too. A clue is the spoon’s gleam that helps them to make-up and get along.
"Judith and Clifton Pugh met in September 1970. He was already a major portrait and landscape painter; she was twenty years younger than him and had just joined the Australian Labor Party. Their decade together was one where the boundaries between political, social and art milieus were blurred - a heady mix of painting, policy and pleasure that reflected the changing face of Australian society. With a unique female perspective on the times, this is as much about the emergence of feminism as it is a behind-the-scenes look at the Whitlam years. But there was a darker side to this successful partnership - for the first time, Judith reveals the complexity of a relationship haunted by wartime experiences"--Publisher.
Includes entries for maps and atlases.
Colin Colahan was an Australian painter of outstanding ability and reputation who from the 1920s to the 1970s was remarkably productive. Colahan was one of the more brilliant pupils of the painter Max Meldrum. Identification with the unfashionable 'Meldrumites' is one explanation for Colahan's disappearance from the public gaze. The other has murkier origins in the still unsolved murder of his girlfriend, Mollie Dean, in 1930. There was nothing of substance to link Colahan to the brutal murder, but fevered public speculation cast a depressing shadow for many years and helped propel him to Europe in 1935. There he stayed for the rest of his long life. The story of Colahan's personal life is tantalising in itselfandmdash;three marriages, five children, numerous lovers, beautiful houses in England and Italy, portrait painter of the rich and famous. It was an urbane life. He was a witty, charming, talented man. This intimate, engaging portrait is indeed most welcome, and will restore Colahan's life and work to its rightful place in the history of Australian art.
Sasha Grishin is a leading Australian art historian, art critic and curator who has published some twenty books and over two thousand articles on various aspects of art. This book is his magnum opus, a comprehensive and definitive history of Australian art. Australian Art: A History provides an overview of the major developments in Australian art, from its origins to the present. The book commences with ancient Aboriginal rock art and early colonialists' interpretations of their surroundings, and moves on to discuss the formation of an Australian identity through art, the shock of early modernism and the notorious Heide circle. It finishes with the popular recognition of modern Indigenous art and contemporary Australian art and its place in the world.