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Literary Publishing in the Twenty-First Century
Gutenberg’s invention of movable type in the fifteenth century introduced an era of mass communication that permanently altered the structure of society. While publishing has been buffeted by persistent upheaval and transformation ever since, the current combination of technological developments, market pressures, and changing reading habits has led to an unprecedented paradigm shift in the world of books. Bringing together a wide range of perspectives—industry veterans and provocateurs, writers, editors, and digital mavericks—this invaluable collection reflects on the current situation of literary publishing, and provides a road map for the shifting geography of its future: How do editors and publishers adapt to this rapidly changing world? How are vibrant public communities in the Digital Age created and engaged? How can an industry traditionally dominated by white men become more diverse and inclusive? Mindful of the stakes of the ongoing transformation, Literary Publishing in the 21st Century goes beyond the usual discussion of 'print vs. digital' to uncover the complex, contradictory, and increasingly vibrant personalities that will define the future of the book.
Paper Dreams
Paper Dreams brings together a conversation that has engaged passionate editors, writers and readers for more than 150 years - how literary magazines continue to stand the test of time by advancing the state of literature and molding the roots of American culture. This illustrated edition covers the history of the American literary magazine from its pre-origins - as far back as late 17th Century France - to its future and speculative forms. The anthology features essays and interviews by and with literary icons (Pierre Bayle, Ralph Waldo Emerson, Harriet Monroe and Ezra Pound) and contemporaries (Frederick Barthelme, T.C. Boyle, Roxane Gay, Herbert Leibowitz, Rick Moody, Speer Morgan, Jay Neugeboren, Laura van den Berg and dozens of others).
The Roots of Cane
The Roots of Cane proposes a new way to read one of the most significant works of the New Negro Renaissance, Jean Toomer’s Cane. Rather than focusing on the form of the book published by Boni and Liveright, what Toomer would later call a single textual “organism,” John Young traces the many pieces of Cane that were dispersed across multiple modernist magazines from 1922 through 1923. These periodicals ranged from primarily political monthlies to avant-garde arts journals to regional magazines with transnational aspirations. Young interweaves a periodical-studies approach to modernism with book history and critical race theory, resituating Toomer’s uneasy place within Black modernism by asking how original readers would have encountered his work. The different contexts in which those audiences were engaging with Toomer’s portraits of racialized identity in the Jim Crow United States, yield often surprising results.
The Business of Being a Writer
“Destined to become a staple reference book for writers and those interested in publishing careers.” —Publishers Weekly Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business. Those who want to make a full- or part-time job out of writing are going to have a more positive and productive career if they understand the basic business principles underlying the industry. This book offers the business education writers need but so rarely receive. It is meant for early-career writers looking to develop a realistic set of expectations about making money from their work. or for w...
The Little Magazine in Contemporary America
Little magazines have often showcased the best new writing in America. They have historically served a dual function of representing the avant-garde of literary expression while also helping many emerging writers become established authors. Although changing technology and increasingly harsh financial realities now seem to threaten them even to the brink of extinction, the full story of the little magazine over the past thirty years is far more complicated. In this collection, Ian Morris and Joanne Diaz gather the reflections of twenty-three prominent editors of little magazines from this period on how they have innovated, sometimes thrived, sometimes (reluctantly) folded, but mainly persevered in the service of their founding literary ideals. Other topics covered include the role of the little magazine in promoting the workand concernsof minority and women writers; the place of universities in supporting and shaping little magazines; and the online and offline future of little magazine publication."
The Rock-'n'-Roll Guide to Grammar and Style
Believe it or not, you can use your favorite Rock-‘n’-Roll song titles to show you, clearly and concisely, how English grammar and style work—and it’s fun! Inspired by a lifelong love of music and language, this book captures the brilliant bond between music and language, using song titles as an innovative and memorable way to teach grammar and style. The book does not critique grammar and style use in Rock-‘n’-Roll song titles. Instead, it celebrates this use and demonstrates different kinds of sentences, parts of speech, verb tenses, stylistic figures of speech, and more. The book starts with short but complete sentences—song title subject/verb combinations of songs you know such as “Love hurts” and “Voices carry.” The patterns of English grammar and style then become strikingly visible when you see them in the titles of Rock-‘n’-Roll songs you love, all the way from the 1950s to today.
The Dogs Who Found Me
Now regarded as a classic in dog literature, Ken Foster's memoir chronicles his journey from first-time dog owner to rescuer--and all the lessons and mistakes he made along the way. Bookended by the tragedies of 9/11 and Katrina, Foster finds that dogs open his eyes to the benefits of compassion, selflessness, and the chaotic beauty of living each day in the moment. But more than Foster's own story, readers remember the dogs. Among them are Duque, a Costa Rican stray; Brando, Foster's first adopted dog and a supposed pit bull mix who outgrew his Manhattan studio apartment; Rocco, a clownish red pit bull whose owner mistakenly gives him away to the wrong person; Zephyr, a cheerful Rottweiler mix who awakens Foster by sitting on his chest when his heart stops working; and Sula, the tiny lost pit bull who showed up at Foster's door one day and stayed. Whether bearing witness to national tragedy, grieving the death of a friend, or dealing with his own mortality, Foster finds strength in his dogs, and in the reciprocal nature of rescue.
Evangelical Writing in a Secular Imaginary
Evangelical Writing in a Secular Imaginary addresses the question of how Christian undergraduates engage in academic writing and how best to teach them to participate in academic inquiry and prepare them for civic engagement. Exploring how the secular both constrains and supports undergraduates’ academic writing, the book pays special attention to how it shapes younger evangelicals’ social identities, perceptions of academic genres, and rhetorical practices. The author draws on qualitative interviews with evangelical undergraduates at a public university and qualitative document analysis of their writing for college, grounded in scholarship from social theory, writing studies, sociology ...
The Fears
An unflinching study of death, Kevin Prufer’s The Fears invites us to consider what it means to matter. Editor, publisher, and poet Kevin Prufer presents his ninth poetry collection, The Fears, an intimate meditation on storytelling and mortality. "Ghostlit by streetlights” and filtered through tale and recollection, Prufer examines our fears of loss, death, and obscurity. Narratives are braided together as Prufer manipulates white space to mimic the silence of minds at work on unsolvable problems, how time “unravels / endlessly.” Here, visions of classical Greece and the trials of ancient Romans coexist with the everyday—memories of a parent’s death or the loss of a pet. We bear witness as the poet writes to preserve the intricacy of his own mind against the “certainty of absence.” Exploring what it means to be forgotten and how legacy is preserved through poetry, history books, a mummy’s index finger, and love letters from the grave, The Fears invites us to consider what it means to matter.
White Dialogues
*Winner of the Rome Prize for Literature 2018-19 *Named one of the Best Books of the Year —Bookforum Synopsis With all the brilliance, bravado, and wit of his award-winning debut, A Questionable Shape, Bennett Sims returns with an equally ambitious and wide-ranging collection of stories. A house-sitter alone in a cabin in the woods comes to suspect that the cabin may need to be “unghosted.” A raconteur watches as his personal story is rewritten on an episode of This American Life. And in the collection’s title story, a Hitchcock scholar sitting in on a Vertigo lecture is gradually driven mad by his own theory of cinema. In these eleven stories, Sims moves from slow-burn psychological horror to playful comedy, bringing us into the minds of people who are haunted by their environments, obsessions, and doubts. Told in electric, insightful prose, White Dialogues is a profound exploration of the way we uncover meaning in a complex, and sometimes terrifying, world. It showcases Sims’s rare talent and confirms his reputation as one of the most exciting young writers at work today.
