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See inside the gardens where literary giants from Tolstoy to Agatha Christie created some of their finest works in this visually stunning and fascinating book. Discover the flower gardens, vegetable plots, landscapes and writing hideaways of 30 great authors – from Louisa May Alcott’s ‘Orchard House’ where she wrote Little Women and Agatha Christie at Greenway, to Virginia Woolf at Monk’s House and the Massachusetts home of Edith Wharton. Fully illustrated with specially commissioned photography plus archive images, and spanning centuries and continents, this book visits the homes and gardens that inspired novelists, poets and playwrights. It shows how outdoor spaces were important...
This collection is the first academic study of the captivating life and career of expatriate artist, writer, and activist, May Alcott Nieriker. Nieriker is known as the sister of Louisa May Alcott and model for "Amy March" in Alcott’s Little Women. As this book reveals, she was much more than "Amy"—she had a more significant impact on the Concord community than her sister and later became part of the creative expat community in Europe. There, she imbued her painting with the abolitionist activism she was exposed to in childhood and pursued an ideal of artistic genius that opposed her sister’s vision of self-sacrifice. Embarking on a career that took her across London, Paris, and Rome, ...
Mystères à Dread Hollow, Debra Webb Dread Hollow est une petite ville tranquille. Du moins en apparence. Car, aujourd’hui, l’officier Tara Norwood doit faire face à la disparition inquiétante d’un couple sans histoires. C’est Deke Sheperd, l’instituteur de leur fils demeuré seul chez lui, qui a donné l’alarme. Et pour Tara le temps est compté. Face aux zones d’ombre qui demeurent dans cette affaire, elle doit agir vite si elle veut pouvoir rendre sa famille au petit Jacob... Désir de justice, Maggie Wells Une serveuse retrouvée morte au fond d’un lac des Ozarks. Que faisait-elle là, dans ce coin réservé aux ultrariches ? C’est la question que se pose Grace Reed, l’agente spéciale chargée de l’enquête. Avec l’aide de Matthew Murray, le frère de la victime, elle voit ses soupçons se concentrer autour d’une famille puissante, influente en politique, presque intouchable. Un clan qui ignore encore la détermination de Grace à rendre justice... + 1 roman gratuit dans ce livre : L’île du danger, Jill Sorenson – réédité
Intégrale 10 romans de la collection Black Rose + 1 gratuit : tous les livres Black Rose d'Août (N° 832 à 836) en un seul clic ! La disparue des montagnes, Juno Rushdan Un bébé dans la tourmente, Janie Crouch Mystères à Dread Hollow, Debra Webb Désir de justice, Maggie Well À la rencontre du passé, Marilyn Pappano Le secret de Mila, Rita Herron Je serai là pour toi, Cassie Miles Alliance à risques, Melinda Di Lorenzo La passagère clandestine, Susan Cliff Le poison de la suspicion, Delores Fossen BONUS ! 1 roman GRATUIT inclus : L'île du danger, Jill Sorenson - réédité
Winner of the 2021 Thomas McGann Book Prize from the Rocky Mountain Council for Latin American Studies For more than one hundred years, the Conquest of the Desert (1878-1885) has marked Argentina's historical passage between eras, standing at the gateway to the nation's "Golden Age" of progress, modernity, and--most contentiously--national whiteness and the "invisibilization" of Indigenous peoples. This traditional narrative has deeply influenced the ways in which many Argentines understand their nation's history, its laws and policies, and its cultural heritage. As such, the Conquest has shaped debates about the role of Indigenous peoples within Argentina in the past and present. The Conquest of the Desert brings together scholars from across disciplines to offer an interdisciplinary examination of the Conquest and its legacies. This collection explores issues of settler colonialism, Indigenous-state relations, genocide, borderlands, and Indigenous cultures and land rights through essays that reexamine one of Argentina's most important historical periods.
The four prose texts discussed in Literary Rooms position themselves in a literary tradition which highlights the manifold purposes the private room may serve: it is a mirror of the inhabitant, a context in which to position the self, a place of and motor for identity quests, a rich metaphor, and a second skin around the inhabitant’s physical body. Even in times of increasing globalization and urbanization, the room continues to root the inhabitant; it serves as a retreat from the world and as a place in which to (re)negotiate questions of belonging, gender, class, and ethnicity. At the same time, the room is inevitably porous and constantly oscillates between inclusion and exclusion. The literary texts examined in this book are each highly fragmented and gesture towards a fragmentation of the contemporary world out of which they have grown as well as towards an abundance of fragmented self-images. Linking the approaches of narratology, globalization, and spatial criticism, Literary Rooms argues that in order to account for the spatial properties of the room, discourses developed during the spatial turn need to be extended and reevaluated.
Vol. 8, no. 2, Aug. 1969 includes Northwest falconry news, v. 4, no. 1, 1969.
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