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Tales of the Tricycle Theatre
"An inside look at London's Tricycle Theatre which with its series of verbatim plays has made a significant contribution to contemporary political theatre"--
Tales of the Tricycle Theatre
'Tales of the Tricycle Theatre' provides an inside look at the 40 year history of the North London theatre which has achieved reknown with its staging of Black and Irish plays and documentary theatre.
When the Crows Visit
When the Crows Visit is a tragedy that transposes the themes of Ibsen's Ghosts into modern-day India.
Ben Hur
Based on one of the timeless story of one of the best-selling books of the nineteenth century, this stage adaptation condenses the epic tale so that it can be told by just four actors (or it can be expanded for a cast of up to twenty-six). The story follows an amateur theatre troupe as they produce the massive tale of the fictional Jewish prince and merchant Judah Ben-Hur. He falls to galley slave and rises to champion charioteer within Jerusalem during the life of Jesus Christ, while the actors struggle along through the piece as rivalries form and offstage romances interfere. Complete with chariot race, sea battle, and stage combat, Patrick Barlow weaves his compressed style popularized by The 39 Steps into one of the largest stories ever told.
The Tricycle
From 1994-2012 Kilburn’s Tricycle Theatre produced an extraordinary body of work that sought to engage, inform,and critique British and International Politics using verbatim testimony to respond to contemporary issues. Collected here for the first time are the complete ‘Tribunal Plays’. 2014 marks the 20th anniversary of the Tricycle’ sfirst Tribunal Play – Half the Picture. This collection celebrates a remarkable and enduring body of work. Contains the plays Half the Picture, Nuremberg, Srebrenica, The Colour of Justice, Justifying War, Guantanamo, Bloody Sunday, Called to Account, Tactical Questioning and The Riots. Also included is a brand-new round table discussion with Nicolas Kent, Richard Norton-Taylor, Gillian Slovo and the playwright David Edgar, charting the history and development of each show and the contribution the Tribunal Plays have made to political theatre in the last two decades, and a foreword by Guardian journalist and chief theatre critic Michael Billington.
The Invisible Hand
We are prisoners of a corrupt country of our own making American banker Nick Bright knows that his freedom comes at a price. Confined to a cell within the depths of rural Pakistan, every second counts. Who will decide his fate? His captors, or the whims of the market? Pulitzer Prize–winning playwright Ayad Akhtar has written an intense, fast-moving political thriller, which lays bare the raw, unfettered power of global finance. The Invisible Hand received its world premiere at the New York Theatre Workshop on 8 December 2014 and its UK premiere at the Tricycle Theatre, London, on 12 May 2016.
Handbagged
Handbags, hairspray and sensible shoes. The monarch - Liz. Her most powerful subject - Maggie. One believed there was no such thing as society. The other had vowed to serve it. Opening the clasp on the antipathy between two giants of the twentieth century, Handbagged by Moira Buffini premiered at the Tricycle Theatre in September 2013.
Red Velvet
It's like being at a crossroads - a point of absolute, unequivocal change. It makes the blood rush. Theatre Royal, Covent Garden, 1833. Edmund Kean, the greatest actor of his generation, has collapsed on stage whilst playing Othello. A young black American actor has been asked to take over the role. But as the public riot in the streets over the abolition of slavery, how will the cast, critics and audience react to the revolution taking place in the theatre? Lolita Chakrabarti's play creates imagined experiences based on the little-known, but true, story of Ira Aldridge, an African-American actor who, in the nineteenth century, built an incredible reputation on the stages of London and Europ...
Theatre Buildings
The Association of British Theatre Technicians produced its first guide to the design and planning of theatres in 1972. Revised in 1986, it became the standard reference work for anyone involved in building, refurbishing, or creating a performance space. Theatre Buildings – a design guide is its successor. Written and illustrated by a highly experienced team of international theatre designers and practitioners, it retains the practical approach of the original while extending the scope to take account of the development of new technologies, new forms of presentation, changing expectations, and the economic and social pressures which require every part of the theatre to be as productive as ...
How to Run a Theater
How to Run a Theatre is a unique, dynamic, and savvy guide to building an arts institution that works. Drawing on more than 30 years of experience, here is practical advice on a variety of management skills: Financial; Personnel; Fundraising; Board of Trustees Communications; and Marketing and Audience Development.
