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When the Crows Visit
When the Crows Visit is a tragedy that transposes the themes of Ibsen's Ghosts into modern-day India.
Free Outgoing
A play that sets the rampant technology of the modern world against the conservatism of a traditional society. The British debut of a writer from Chennai, India. When a well-behaved Indian girl is filmed with a boy in her classroom, the video clip spreads like a virus. Transmitted from person to person it infects firstly the local community and then seemingly the whole of India with a burning moral outrage. Anupama Chandrasekhar's play Free Outgoing was first performed at the Royal Court Theatre, London, in 2007.
Off the Endz
'My future is here. My aim is clear and simple. I want out. I wanna be rich. I'm not gonna pretend it's anything more than that and I want it now.' David, Kojo and Sharon grew up on a London estate. Now in their mid 20s, they're eyeing another kind of life. But how do you choose the right path when temptation lies around every corner? If your emotional or financial debt is sky high, how do you buy your way out? Bola Agbaje's smart, savvy second play for the Royal Court asks whether being out of the system might be just as good as being in it. Her characters struggle to ignore the pull of lawless gain and in their newly-respectable, adult lives, find it hard to move away from a background which both haunts them and entices them back. Agbaje's characteristically energetic, vibrant dialogue captures the dynamic rhythm of spoken language and she portrays an under-represented slice of society with skill and compassion.
Over There
A programme text edition published to coincide with the world premiere at the Royal Court Theatre, London, on 25 February 2009 "I found you. You're here. And I was over there. But now I'm over here. I'm here. You're my brother. I love you" When Franz's mother escaped to the West with one of her identical twin boys, she left the other behind. Now, 25 years later, Karl crosses the border in search of his other half. As history takes an unexpected turn, the brothers must struggle to reconnect. Mark Ravenhill's visceral new play examines the hungers released when two countries, separated by a common language, meet again.
Free Outgoing
Chennai, southern India, today. When a well brought up, middle-class girl is filmed having sex with a boy in her classroom, the video clip spreads like a virus. Transmitted from person to person it infects firstly the local community and then seemingly the entire country with a burning moral outrage. The rampant technology of the modern world is set against the natural conservatism of a traditional society. Free Outgoing is the extraordinarily involving story of an ordinary family suddenly thrust into the public eye because of something they'd much rather hide.
The Father and the Assassin
Mahatma Gandhi: lawyer, champion of non-violence, beloved leader. Nathuram Godse: journalist, nationalist - and the man who murdered him. Anupama Chandrasekhar's play The Father and the Assassin traces Godse's life over thirty years during India's fight for independence: from a devout follower of Gandhi, through to his radicalisation and their tragic final encounter in Delhi in 1948. An essential exploration of oppression and extremism, this gripping play opened at the National Theatre, London, in May 2022, directed by Indhu Rubasingham.
Contractions
Come in. Sit down. How are you? Emma's been seeing Darren. She thinks she's in love. Her boss thinks she's in breach of contract. The situation needs to be resolved. An ink-black comedy from Mike Bartlett about work and play, which invites the audience to a meeting at the centre of the Royal Court building.
Table For Four
It is their last evening together. Maya, Sandra and Derek, graduate students at UC Santa Cruz and house-mates for three years, prepare to sit down at the tortoise listening table for dinner with Uncle Prithvi, the house-owner. It's a cheerful and quirky household: Sandra is prone to Orkut attacks; Derek silently pines for the wistful-lookinge Afghan boy in the photo on his wall, taken while a war-journalist in Afghanistan; Maya, who has the hots for Derek, is inexplicably terrified of the ocean; elusive Uncle Prithvi communicates through notes he leaves all over the place. Sad at parting, perhaps forever, and half tipsy, they play a game of telling stories their own stories. As the evening deepens, unexpected secrets and fears of the four lives are unveiled. Sandra, abandoned at birth, tells of growing up in an orphanage with her precious twin, disabled Solana, only to be separated by circumstances; Uncle Prithvi rues the loss of his beloved daughter, whom he betrayed when he sought a new life with Karen in the US. And, Maya and Derek, who suddenly absents himself, cannot bring themselves to voice their tragedies except in a soliloquy.
Salma
In this book the Indian poet Salma and filmmaker Kim Longinotto come together to portray Salma’s extraordinary life and the challenges of capturing it in a documentary film. When Salma, a young Muslim girl growing up in a South Indian village, was 13 years old, her family shut her away for eight years, forbidding her to study and forcing her into marriage. After her wedding her husband insisted she stay indoors. Salma was unable to venture outside for nearly two and a half decades. During that time, words became her salvation. She began covertly composing poems on scraps of paper, and, through an intricate system, smuggled them to the outside world. The poems, many of which are included here, describe the hardships Salma and countless women like her suffer in their secluded lives. Eventually they reached a local publisher who printed them. Against all odds, and in a direct challenge to the stultifying traditions of her village, Salma has gone on to become a renowned Tamil poet and influential human rights activist.
The Quiet Ones
During a regular shift at the call center, Alvin Estrada discovers a way to embezzle money from the American telecom giant for which he mans the phones. Soon a couple of friends join in, and the operation proceeds smoothly up until they quit, vowing to take the secret to their graves. A month later, a phone call at 4 in the morning tells Alvin that the police are on their way. At once a workplace novel and a meditation on history and globalization, The Quiet Ones is a grimly humorous take on a soul-sapping, multi-billion-dollar industry. In interlocking narratives, it explores lives rendered mute by irate callers, scripted apologies, and life’s menial violence, but which manage to talk back every now and then, just as long as the Mute button is firmly pressed. Winner, 2017 Palanca Grand Prize Winner, 2018 NBDB and Manila Critics Circle National Book Award
