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The Republic in Print
"In the beginning, all the world was America." John Locke In the beginning, everything was America, but where did America begin? In many narratives of American nationalism (both popular and academic), the United States begins in print-with the production, dissemination, and consumption of major printed texts like Common Sense , the Declaration of Independence, newspaper debates over ratification, and the Constitution itself. In these narratives, print plays a central role in the emergence of American nationalism, as Americans become Americans through acts of reading that connect them to other like-minded nationals. In The Republic in Print, however, Trish Loughran overturns this master narra...
The American Idea of England, 1776-1840
Arguing that American colonists who declared their independence in 1776 remained tied to England by both habit and inclination, Jennifer Clark traces the new Americans' struggle to come to terms with their loss of identity as British, and particularly English, citizens. Americans' attempts to negotiate the new Anglo-American relationship are revealed in letters, newspaper accounts, travel reports, essays, song lyrics, short stories and novels, which Clark suggests show them repositioning themselves in a transatlantic context newly defined by political revolution. Chapters examine political writing as a means for Americans to explore the Anglo-American relationship, the appropriation of John ...
Whitman's Drift
The American ninteenth century witnessed a media explosion unprecedented in human history, and Walt Whitman's poetry reveled in the potentials of his time: "See, the many-cylinder'd steam printing-press, " he wrote. "See, the electric telegraph, stretching across the Continent, from the Western Sea to Manhattan." Still, as the budding poet learned, books neither sell themselves nor move themselves: without an efficient set of connections to get books to readers, the democratic, media-saturated future that Whitman imagined would have remained warehoused. Whitman's works sometimes ran through the "many-cylinder'd steam printing-press" and were carried in bulk on "the strong and quick locomotiv...
The Grand Chorus of Complaint
An engaging study of authorship, ethics, and book publishing in 18th- and 19th-century America, The Grand Chorus of Complaint considers the uneasy relationship between art and commerce with readings of correspondence, newspaper articles, and works by Thomas Paine, Herman Melville, and Fanny Fern.
Narrating the Landscape
The American nineteenth century saw a largely rural nation confined to the Eastern Seaboard conquer a continent and spawn increasingly dense commercial metropolises. This time of unprecedented territorial and economic growth has long been thought to find its most sweeping visual equivalent in the period’s landscape paintings. But, as Matthew N. Johnston shows, the age’s defining features were just as clearly captured in, and motivated by, visual material mass-produced through innovations in printing technology. Illustrated railroad and steamboat guidebooks, tourist literature, reports of geological surveys, ethnographic studies: all of these new print vehicles brought new meanings to the...
Reading These United States
Reading These United States explores the relationship between early American literature and federalism in the early decades of the republic. As a federal republic, the United States constituted an unusual model of national unity, defined by the representation of its variety rather than its similarities. Taking the federal structure of the nation as a foundational point, Keri Holt examines how popular print—including almanacs, magazines, satires, novels, and captivity narratives—encouraged citizens to recognize and accept the United States as a union of differences. Challenging the prevailing view that early American print culture drew citizens together by establishing common bonds of lan...
American Literary Misfits
The study of nineteenth-century American literature has long been tied up with the study of American democracy. Just as some regions in the United States are elevated to stand in for the whole nation—New England is a good example—D. Berton Emerson argues the same is true for American literature of the nineteenth century; a few canonical texts overrepresent the more motley history of American letters. Emerson examines an eclectic group of literary texts that have rarely, if ever, been considered representative of "the nation" because of their unseemly characters or plots, divergence from dominant literary trends of the era, or local particularity. These are his "literary misfits," authors and texts that show different forms of egalitarianism in action that existed outside and even against the dominant liberal narratives of American democracy. Emerson's unique contribution is revealing these texts and the people they represent as rich with political knowledge. This knowledge, he argues, finds its most potent expression in the local. Such texts show us a different kind of democratic politics: one that is egalitarian, disorderly, and radical rather than homogeneous.
Novels in the Time of Democratic Writing
In the decades after U.S. independence, American novelists carried on an argument that pitted direct democracy against the representative liberalism they attributed to their British counterparts. The result was an American novel distinguished by its use of narrative tropes that generated a social system resembling today's distributed network.
The Business of Slavery and the Rise of American Capitalism, 1815-1860
"Focuses on networks of people, information, conveyances, and other resources and technologies that moved slave-based products from suppliers to buyers and users." (page 3) The book examines the credit and financial systems that grew up around trade in slaves and products made by slaves.
Unsettled States
In Unsettled States, Dana Luciano and Ivy G. Wilson present some of the most exciting emergent scholarship in American literary and cultural studies of the “long” nineteenth century. Featuring eleven essays from senior scholars across the discipline, the book responds to recent critical challenges to the boundaries, both spatial and temporal, that have traditionally organized scholarship within the field. The volume considers these recent challenges to be aftershocks of earlier revolutions in content and method, and it seeks ways of inhabiting and amplifying the ongoing unsettledness of the field. Written by scholars primarily working in the “minor” fields of critical race and ethnic...
