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The world is upside down. Ariana is shattered after Virion's betrayal, and she finds herself with powers she could never have dreamed of, powers she never wanted. Nothing is as it was, and in a world where friend have turned foe, she flees. However, the journey to Ennetèa will be dangerous, and together with her companions she will face not only daevas, but her own conflicted feelings. § How will she ever be able to forgive Virion, and is that something she even wants to? And above all; how will she rise to the expectations of becoming Anar; the saviour of both humans and fae? Because war is coming, and Ariana is not ready.
A kingdom in peril, its ruler fallen. From the heavens, the divine stir with unease, as a plague without remedy spreads its tendrils. But amidst this chaos, a new sovereign emerges: Clad in armor, unyielding in spirit, Resolute in her path to defy even the gods and sorcerers. The Armored Queen Shall Rise.
This book comprises a searching philosophical meditation on the evolution of the humanities in recent decades, taking Dante studies as an exemplary specimen. The contemporary currents of theory have decisively impacted this field, but Dante also has a strong relationship with theology. The idea that theology, teleology, and logocentric rationalities are simply overcome and swept away by new theoretical approaches proves much more complex as the theory revolution is exposed in its crypto-theological motives and origins. The revolutionary agendas and methodologies of theoretical currents have ushered in all manner of minorities and postcolonial and gender studies. But the exciting adventure they inaugurate shows up in quite a surprising light when brought to focus through the scholarly discipline of Dante studies as a terrain of dispute between traditional philology and postmodern theory. On this terrain, negative theology can play a peculiarly destabilizing, but also a conciliatory, role: it is equally critical of all languages for a theological transcendence to which it nevertheless remains infinitely open.
A major re-evaluation of Boccaccio's status as literary innovator and cultural mediator equal to that of Petrarch and Dante.
After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include Samuel Beckett, Walter Benjamin, André Gide, Derek Jarman, LeRoi Jones/Amiri Baraka, James Joyce, Wolfgang Koeppen, Jacques Lacan, Thomas Mann, James Merrill, Eugenio Montale, Pier Paolo Pasolini, Cesare Pavese, Giorgio Pressburger, Robert Rauschenberg, Vittorio Sereni, Virginia Woolf.
Accessible and informative account of Dante's great Commedia: its purpose, themes and styles, and its reception over the centuries.
Ulysses, Dante, and Other Stories presents a unique form of creative scholarship. It employs Dante’s late medieval take on Ulysses and his tragic pursuit of ‘virtue and knowledge’ as a prism that refracts an ancient myth of journey and return into a modern story of discovery and nostalgia. Working notes, fragments from Ulysses’ many stories, personal memories, illuminations, and rewritings combine to form a new chain of narratives about the desire to create, the art of travelling, and the will of self-reinvention.
The Latin poet Ovid continues to fascinate readers today. In Italian Readers of Ovid from the Origins to Petrarch, Julie Van Peteghem examines what drew medieval Italian writers to the Latin poet’s works, characters, and themes. While accounts of Ovid’s influence in Italy often start with Dante’s Divine Comedy, this book shows that mentions of Ovid are found in some of the earliest poems written in Italian, and remain a constant feature of Italian poetry over time. By situating the poetry of the Sicilians, Dante, Cino da Pistoia, and Petrarch within the rich and diverse history of reading, translating, and adapting Ovid’s works, Van Peteghem offers a novel account of the reception of Ovid in thirteenth- and fourteenth-century Italy.
Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a gl...
In Medieval Allegory as Epistemology, Marco Nievergelt argues that late medieval dream-poetry was able to use the tools of allegorical fiction to explore a set of complex philosophical questions regarding the nature of human knowledge. The focus is on three of the most widely read and influential poems of the later Middle Ages: Jean de Meun's Roman de la Rose; the Pélerinages trilogy of Guillaume de Deguileville; and William Langland's vision of Piers Plowman in its various versions. All three poets grapple with a collection of shared, closely related epistemological problems that emerged in Western Europe during the thirteenth century, in the wake of the reception of the complete body of A...