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Visual Communication for Landscape Architecture demonstrates not only how and where a range of visual communication skills are needed to inform a design process, but also why they are essential in order to make presentations both informative and memorable. It illustrates how representational techniques can be sensitively applied in different contexts appropriate to a diverse range of design challenges, and encourages experimentation with contemporary techniques, both 2D and 3D. Developing a professional but creative design portfolio is explored in relation to creating e-portfolios and websites. A total of 12 contemporary case studies enable readers to contextualize the methods and techniques explored in each chapter through exploring real-life examples of winning projects by successful landscape architecture practices, making this title an inspirational resource for both budding – and practising – landscape architects.
Landscape architecture plays an important role in shaping the places in which we live and work. But what is it? Landscape architects are involved, amongst other things, in the layout of business parks, the reclamation of derelict industrial sites, the restoration of historic city parks, and the siting and design of major pieces of infrastructure such as motorways, dams, power stations, and flood defences, as well as the planning of parks and gardens. Taking a historical perspective, Ian Thompson looks at both the roots of landscape architecture and the people that established it. This Very Short Introduction explores some of the misconceptions about landscape architecture and considers the d...
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In Art, Space, Ecology, internationally renowned curator and critic John K. Grande interviews twenty major contemporary artists whose works engage with the natural environment. Whether their medium is sculpture, nature interventions, performance, body art, or installation, these discussions, complemented by eighty stunning photographs, reveal the artists' diverse backgrounds and methods, expressions and realizations.Ultimately, the natural world serves as a canvas to explore the intersections of art, space, and the environment, thereby raising questions about our relationship with landscape itself. The essence of the art form is a dynamic interactivity, and the dialogues between Grande and the artists mirror the encounter of object and environment, artist and audience, society and nature. This work is rounded out with an engaging introduction by writer and curator Edward Lucie-Smith, who sets the stage for some of the most insightful and compelling discussions on art to be found.
Great Escapes unearths 500 of the world's most inspiring holidays, offering great ways to get off the beaten track and enjoy a more authentic kind of travel. Discover a wealth of new adventures from sleeping in houseboats in Kerala and witnessing the zebra migration in Botswana to taking the train-hotel from Paris to Madrid. Whether you fancy living like a local in a tipi with Native American Indians, riding with cowboys in Venezuela or staying in a bunkhouse barn in the Brecon Beacons, this guide is packed with the how, where and when to plan your next extraordinary trip. Authors Richard Hammond, former Green Travel correspondent for The Guardian, and Jeremy Smith, former Editor of The Ecologist Magazine, have hand picked the best hotels, resorts, and tours run by people who are passionate about what they do, assuring a spectacular choice of inspirational travel ideas without compromising on the quality of your holiday. Whether you wish to stay in an eco-chic hotel, experience a closer connection with local culture, or simply want to see the world in a new light; make your next trip a Great Escape.
Clean Breaks- 500 new ways to see the world from Rough Guides. 500 fantastic experiences that will inspire you to see the world in a new light - unusual holidays and alternative ways to travel that make a real difference to the lives of local people and the planet. Unique accommodation- bothies and barns in Britain; houseboats in Kerala; mud huts and treehouses in Jamaica; ecolodges in Ecuador. Amazing wildlife- go whale-watching off Ireland; spot pink dolphins in Hong Kong; track wolves and bears in Poland; witness the zebra migration in Botswana. Climate-friendly travel- the train-hotel from Paris to Madrid; ferry-hopping across the Mediterranean; horse-riding on the Silk Route; cargo-boat travel around the world. Live with the Locals- camp with the Bedouin; stay in tipis with Native American Indians; trek with nomads in Mongolia; Aboriginal bush tours in the Australian outback. Extraordinary experiences- kayak around the Scottish Isles; reindeer-sledding in Norway; ride with cowboys in Venezuela; hear the music of the desert in Mali.
This book explores the intersection of geographical knowledge and artistic research in terms of both creative methods and practice-based research. In doing so it brings together geography’s ‘creative turn’ with the art world’s ‘research turn.’ Based on a decade and a half of ethnographic stories of working at the intersection of creative arts practices and geographical research, this book offers a much-needed critical account of these forms of knowledge production. Adopting a geohumanities approach to investigating how these forms of knowledge are produced, consumed, and circulated, it queries what imaginaries and practices of the key sites of knowledge making (including the fiel...
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Featuring a generous selection from four published collections of the poems of Christine Evans, this book also features her new work. Spanning two decades, the book opens with pieces from Looking Inland. The visiting farmers in "Callers" with their 'blunt, nervous hands' set the tone for the early poems, which are poignant, precise observations of the author's surroundings, a farm on the Llyn Peninsula in north Wales. Also included is the entire Falling Back, an accomplished longer poem. It tells the story of a woman's attempts to come to terms with the death of her husband, a shepherd, in north Wales. From initial stunned grief through recovery, the slow stages of bereavement are movingly portrayed. The poems from Cometary Phases show an increasing confidence and ambition. In pieces like "Deep Under" and "Fodder," the poet starts with externals and then moves deeper, using the landscape as metaphor for emotional or spiritual states. Selections from the Island of Dark Horses focus on the mysterious island of Bardsey off the coast of Llyn, whose history and inhabitants inspire Evans to a series of reflections, culminating in the long celebratory title poem.