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Creating a digital twin should be easy and intuitive. This book presents twins from different technical fields and describes in detail how to build them. The book is aimed at students or young engineers who want develop and modify the twins without much prior knowledge. The use of the free software tool Simcenter Amesim is introduced. Simcenter Amesim belongs today to the industry standard for the development of digital twins. This program was chosen because it is easy to learn and does not require deep mathematical knowledge or programming skills. We start by creating a simple calculator, then model, for example, mechanical twins such as falling balls, ventilation and tank systems, pipelines, or a solar collector. The physical background is explained for each simulation example, and each simulation example concludes with suggestions for further work. This enables the reader to perform further investigations and exercises with the digital twins.
Romaani kertoo rakkaudesta, petoksesta, itsepetoksesta, valheellisesta identiteetistä, muistista ja vääristä muistoista, fyysisistä ja henkisistä rajoista. Minäkertojan ajatuksissa menneisyys ja nykyhetki lomittuvat toisiinsa, ja myös lapsuuden tapahtumat valottuvat aikuisen näkökulmasta. Kuolleen miehen morsiamessa yhtyvät kirjailijan omakohtaiset elämänvaiheet ja tuntemukset monipuoliseen aihemaailmaan vahvasti ja yllättävästi.
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Der finnische Architekt Pekka Helin gründete bereits 1979 in Helsinki sein erstes Büro. In seiner Entwurfshaltung knüpft das Büro in einer spezifisch skandinavischen Ausdrucksform sowohl an den Funktionalismus, als auch an die organische Architektur eines Aalvar Alto, Viljo Revell, Heikki Sirèn oder auch eines Arne Erve an. Das Material Holz spielt in dieser sehr klaren Architektur eine vordergründige Rolle. Das Büro kreiert Bauten im Bereich Wohnen – häufig direkt am Wasser gelegen, wo die Einbindung in die Natur in den Sichtachsen eine große Rolle spielt – , aber auch Bürobauten, wie etwa den Nokia Hauptsitz oder auch das Finnish Modular Office, der höchste Bürobau aus Holz innerhalb Europas. Auch öffentliche Bauten, wie etwa die finnische Botschaft in Moskau oder der Konzertsaal und die Bibliothek in Espoo, gehören zu den Realisierungen des Büros, wie auch gar städtebauliche, so etwa der Masterplan für die Umgestaltung des ehemaligen Areals des Flughafens von Oslo.
Walking the Highwire tells the story of the Eurozone Crisis from the perspective of the former Vice-President of the European Commission who was responsible for Economic and Monetary Affairs in 2010-2014. It is a comprehensive European account that covers both events and decisions in Brussels and Frankfurt and in the member states, both in distressed countries and creditor states. It also provides an economic-political analysis of the crisis and its management, recognising that the Euro was created politically, and saved politically. Thoroughly researched and based on economic analysis of the time, reports on various meetings and the author's own speaking notes and diary, this book begins with a narrative of crisis management 2009-2012, before moving on to address the beginning of the recovery from 2013-2014. It concludes with the lessons learnt from the crisis and a programme for reform of the Eurozone in the 2020s, with contemporary policy relevance. This is an entertaining and engaging account which will be of interest to a wide audience: scholars and students, practitioners and commentators of the Eurozone.
You Are Here: Art After the Internet is the first major publication to critically explore both the effects and affects that the internet has had on contemporary artistic practices. Responding to an era that has increasingly chosen to dub itself as "post-internet," this collective text explores the relationship of the internet to art practices from the early millennium to the present day. The book positions itself as a provocation on the current state of cultural production, relying on first-person accounts from artists, writers and curators as the primary source material. The book raises urgent questions about how we negotiate the formal, aesthetic and conceptual relationship of art and its effects after the ubiquitous rise of the internet. "You Are Here is the best anything I've read in ages ... and I'm jealous I'm not a contributor. I really loved it. It's a joy to see new green shoots of cultural tendencies emerging from barren soil." - Douglas Coupland
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