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Cardinal
Tyree Daye’s Cardinal is a generous atlas that serves as a poetic “Green Book”— the travel-cum-survival guide for black motorists negotiating racist America in the mid-twentieth century. Interspersed with images of Daye’s family and upbringing, which have been deliberately blurred, it also serves as an imperfect family album. Cardinal traces the South’s burdened interiors and the interiors of a black male protagonist attempting to navigate his many departures and returns home —a place that could both lovingly rear him and coolly annihilate him. With the language of elegy and praise, intoning regional dialect and a deliberately disruptive cadence, Daye carries the voices of ancestors and blues poets, while stretching the established zones of the black American vernacular. In tones at once laden and magically transforming, he self-consciously plots his own Great Migration: “if you see me dancing a twos step/I’m sending a starless code/we’re escaping everywhere.” These are poems to be read aloud.
River Hymns
River Hymns is the lyrical journey of a young black man's spiritual reckoning with his family history.
In the Laurels, Caught
A major experimentalist digs up her rural roots in this portrait of flowery but never sweet dynamic regionalism.
Mule & Pear
Poetry. African American Studies. These poems speak to us with voices borrowed from the pages of novels of Alice Walker, Jean Toomer, and Toni Morrison--voices that still have more to say, things to discuss. Each struggles beneath a yoke of dreaming, loving, and suffering. These characters converse not just with the reader but also with each other, talking amongst themselves, offering up their secrets and hard-won words of wisdom, an everlasting conversation through which these poems voice a shared human experience.
The Future of Black: Afrofuturism and Black Comics Poetry
The expansion of Marvel and DC Comics' characters such as Black Panther, Luke Cage, and Black Lightning in film and on television has created a proliferation of poetry in this genre--receiving wide literary and popular attention. This groundbreaking collection highlights work from poets who have written verse within this growing tradition, including Terrance Hayes, A. Van Jordan, Glenis Redmond, Tracy K. Smith, Teri Ellen Cross Davis, Joshua Bennett, Douglas Kearney, Tara Betts, Frank X Walker, and others. In addition, the anthology will also feature the work of artists such as John Jennings and Najee Dorsey, showcasing their interpretations of superheroes, Black comic characters, Afrofuturistic images from the African diaspora.
All the Blood Involved in Love
Marshall’s poems traverse familial mythography to investigate contemporary politics, Blackness, reproductive justice, and the stakes of race and interracial partnership, queerness, and love. With an unflinching seriousness she interrogates womanhood, meditates on race and queerness, and considers the monetary, mental, and physical costs of adopting or birthing a Black child.
a little bump in the earth
Through invention and remembrance, a little bump in the earth creates a black town on a hill—its land, its losses, its living and ancestral dead. Tyree Daye’s a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye's family has lived for the last 200 years, is reclaimed as “Ritual House.” Here, “every cousin aunt uncle ghost” is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and “a little museum in the herein-&-after,” where collaged images appear besides documents from Daye’s ancestors—census records, marriage licenses, and WWII Draft Registration cards—the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and “bringing back the dead.”
After Jubilee
Poetry. Brionne Janae's AFTER JUBILEE is a collection of finely-tuned narratives presenting characters in a precarious balance between love and hate. Many voices collude to answer for both the jubilation and horror that has plagued black people from the beginning, including the black man with the white father, the parents donating their infant son's organs to save other lives, and those ignored and forgotten in the massacre at Slocum, Texas in 1910.
The Walmart Republic
Quraysh Ali Lansana is from Enid, OK. Christopher Stewart was raised in Dallas, small Texas towns, and Chicago neighborhoods. A white man and a black man born in post Kennedy, post-King southern and midwestern USA, though both disagree with those geographical tags. Through these poems, the poets assert that their births, their ways of seeing, and their pains are rooted in what Ali Lansana's OU film professor termed "the Walmart Republic," a land where shopping center is community center. Where the failures of the father are re-learned in the lessons of the son. As poet Elise Paschen declares, "Quraysh Ali Lansana and Christopher Stewart pack the punch in these gritty poignant poems. Their poetic techniques counterpoint each other from lyric narratives to sharp edgy sonic bursts, creating a novel-like narrative. We follow two different journeys which begin in the Bible Belt and reach adulthood in places across the map. These gutsy poems explore identity and race against the backdrop of an ever-changing America.
Little Big Bully
Winner of the 2022 Rebekah Johnson Bobbitt National Prize for Poetry In a new collection that is "a force of nature" (Amy Gerstler), renowned Native poet Heid E. Erdrich applies her rich inventive voice and fierce wit to the deforming effects of harassment and oppression. Little Big Bully begins with a question asked of a collective and troubled we - how did we come to this? In answer, this book offers personal myth, American and Native American contexts, and allegories driven by women's resistance to narcissists, stalkers, and harassers. These poems are immediate, personal, political, cultural, even futuristic object lessons. What is truth now? Who are we now? How do we find answers through the smoke of human destructiveness? The past for Indigenous people, ecosystem collapse from near-extinction of bison, and the present epidemic of missing and murdered Indigenous women underlie these poems. Here, survivors shout back at useless cautionary tales with their own courage and visions of future worlds made well.
