You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book explores some of disco’s other lives which thrived between the 1970s and the 1980s, from oil-boom Nigeria to socialist Czechoslovakia, from post-colonial India to war-torn Lebanon. It charts the translation of disco as a cultural form into musical, geo-political, ideological and sociological landscapes that fall outside of its original conditions of production and reception, capturing the variety of scenes, contexts and reasons for which disco took on diverse dimensions in its global journey. With its deep repercussions in visual culture, gender politics, and successive forms of popular music, art, fashion and style, disco as a musical genre and dance culture is exemplary of how ...
While the importance of collections has been evident in the sciences and humanities for several centuries, the social and cultural significance of collecting practices is now receiving serious attention as well. As reflected in programs like Antiques Roadshow and American Pickers, and websites such as eBay, collecting has had a consistent and growing presence in popular culture. In tandem with popular collecting, institutions are responding to changes in the collecting environment, as library catalogs go online and museums use new technologies to help generate attendance for their exhibits. In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banas...
Since its beginnings over fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but as a recognised field of study. This Companion, grounded in recent research, explores the various musical styles and cultures of metal, providing a reliable resource for students and researchers.
Evidence of Things Not Seen is an interdisciplinary study of blackness in genre literature of the Americas. When mystery, romance, fantasy, mixed-genre, and science fiction writers center fantastical blackness, they make this expressive quality available to a broad audience that uses pop fictions' imaginable vocabularies to reshape extra-literary realities. Ultimately, popular genres' imaginable possibilities help us strategize ways that the made up can be made real.
This is an authoritative companion that is global in scope, recognizing the presence of African Diaspora artists across the world. It is a bold and broad reframing of this neglected branch of art history, challenging dominant presumptions about the field. Diaspora pertains to the global scattering or dispersal of, in this instance, African peoples, as well as their patterns of movement from the mid twentieth century onwards. Chapters in this book emphasize the importance of cross-fertilization, interconnectedness, and intersectionality in the framing of African Diaspora art history. The book stresses the complexities of artists born within, or living and working within, the African continent...
In 1967, the Western world was in the throes of peace, love and flower power. Meanwhile, Nigeria was descending into civil war. It seems fair to say the milieu rock emerged out of in Nigeria and in the west was somewhat different! Nonetheless, aesthetically, sonically and politically, much of the rock music that was developing in parallel was directly comparable to that emerging from the USA and Europe. Nigerian rock ultimately helped heal the country by propagating the world-wide idea of the Modern Nigerian, making Nigeria relatable to the rockers of the West. This is its story.
The encyclopedia of the newspaper industry.
La musique populaire moderne ivoirienne, aspect de la culture populaire, clate travers les industries productrices de la culture de masse et touche des publics trs vastes. Aprs en avoir retrac l'historique, cet ouvrage examine la fabrication, les acteurs et leurs discours, les divers lieux de performance et d'enchantement (salles de rptitions, studios, maquis musicaux, etc.), des aspects de son contenu et certains des effets de cette forme mdiatique. Entre l'essai et l'anthropologie de la musique, entre commentaire et donnes ethnographiques de terrain, cet ouvrage se propose aussi d'tudier la socit ivoirienne qui se produit en Cte d'Ivoire dans et travers son histoire rcente. La musique populaire moderne, reste insaisissable et indomptable. Lieu d'expression d'une intellectualit populaire et d'une conscientisation musicale porte par des artistes-chanteurs, peut-elle contribuer rendre le monde meilleur voire le r-enchanter ?
"Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Cote d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture."--Publisher description.