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Bartek Warzecha
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Atlas of Modernity
Atlas of Modernity' is an exhibition that allows to see the collection of Muzeum Sztuki in Lodz, Poland, in a different way, but, more importantly, it is also a story of modernity and its meaning from a contemporary perspective constructed with the works included in the exhibition. The exhibition does not report the history of modernity put in chronological order, neither does it present the history of modern art. It focuses on the most important phenomena that are commonly connected with that which is modern, such as: emancipation, autonomy, industrialisation, capital, urbanisation, experiment, mechanization and revolution. By creating a 'collage' of artworks from different periods, representing different aesthetics and artistic attitudes around these notions the exhibition poses questions about how the character of the phenomena changed, how the way they were perceived altered and, most importantly, to what extent they shape contemporary reality. Exhibition: Muzeum Sztuki Lódz, Poland (since 24.01.2014).
Structural Changes in Polish Horticulture After the Accession to the European Union
Polish accession to the European Union has resulted in the dynamic changes in wide scope of our economy. Significant expansion of EU in 2004 has influenced on present members of European Community and has caused the adjustment process in all countries. What has resulted from this expansion, is an opening the European market and growth of competitiveness, also on the horticulture market. Financial resources from Common Agricultural Policy have become one of the important cause of structural changes in Polish agricultural and horticulture market. Efficient use of financial resources from the EU helped Poland to improve market organization. The number of farms, conducting agricultural activitie...
Agnieszka Brzezanska
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50 twarzy popkultury
Książka 50 twarzy popkultury pod redakcją Kseni Olkusz jest czwartym tomem serii „Perspektywy Ponowoczesności” – i zarazem pierwszą tak obszerną polską pracą zbiorową proponującą namysł nad kulturą popularną rozumianą nie jako zjawisko osobne, rozpatrywane z zaangażowanej perspektywy fana, lecz jako „wszechkulturę”, dekonstruującą paradygmatyczny podział na wysoki i niski rejestr artystyczny.
Contemporary Photography and Theory
Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory.
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Atlas nowoczesności
"The Atlas of modernity" is a story told through works from the collection of the Muzeum Sztuki in Łódź. Modernity is understood here as a set of ideas, tensions, and energies directly or indirectly influencing social reality up to this day. In the publication the story takes the form of a visual and textual collage. Its point of departure is an exhibition that opened at the Muzeum Sztuki in Łódź in the beginning of 2014, prepared under the direction of Jarosław Suchan by a curatorial team consisting of Aleksandra Jach, Paulina Kurc-Maj, Maria Morzuch, Anna Saciuk-Gąsowska, Joanna Sokołowska, Katarzyna Słoboda, and Magdalena Ziółowska. Neither the exhibition nor this book intend ...
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