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On September 20, 1587, Walpurga Hausmännin of Dillingen in southern Germany was burned at the stake as a witch. Although she had confessed to committing a long list of maleficia (deeds of harmful magic), including killing forty—one infants and two mothers in labor, her evil career allegedly began with just one heinous act—sex with a demon. Fornication with demons was a major theme of her trial record, which detailed an almost continuous orgy of sexual excess with her diabolical paramour Federlin "in many divers places, . . . even in the street by night." As Walter Stephens demonstrates in Demon Lovers, it was not Hausmännin or other so-called witches who were obsessive about sex with d...
This monograph examines the problem of universally inclusive language in the book of Revelation and the resulting narrative tension created by narrowly exclusive language. Analysis is conducted by placing relevant texts within their literary-narrative context and through consideration of how the author understood and appropriated biblical traditions. A key feature of this study is its examination of four early Jewish documents with significant similarities to the problem being examined in Revelation. From these documents (Tobit; Similitudes of Enoch [1 Enoch 37-71]; 4 Ezra; and, Animal Apocalypse [1 Enoch 85-90]) a contextual picture emerges which allows a fuller understanding of Revelation’s distinctive approach toward the problem of the fate of the nations. This study contends that the interpretive strategies applied to biblical traditions in Revelation have their roots in the wider early Jewish milieu. From this comparative analysis, identifiable patterns with regard to the role of ‘universal terminology’ in the communicative strategy of John’s Apocalypse emerge.
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
The history of the European Reformation is intimately bound-up with the development of printing. With the ability of the printed word to distribute new ideas, theologies and philosophies widely and cheaply, early-modern society was quick to recognise the importance of being able to control what was published. Whilst much has been written on censorship within Catholic lands, much less scholarship is available on how Protestant territories sought to control the flow of information. In this ground-breaking study, Allyson F. Creasman reassesses the Reformation's spread by examining how censorship impacted upon public support for reform in the German cities. Drawing upon criminal court records, t...
New essays on the first flowering of German literature, in the High Middle Ages and especially during the period 1180-1230.
This study explores the evolution of the text and music of this inexhaustible yet highly controversial music drama across Wagner's entire career, and offers a reassessment of the ideological and political history of 'Parsifal' that illuminates the connection of Wagner's legacy to the rise of National Socialism in Germany. The compositional genesis is traced through many unfamiliar sketches and manuscript sources held at Bayreuth, revealing unsuspected models and veiled connections to Wagner's earlier works.