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GRITOS na SOLIDÃO´- Décimas de Inocêncio de Brito
Poeta Popular, do Alentejo, nasceu em 30 de Abril de 1854 e faleceu em de Dezembro de 1938... Foi pastor e trabalhador agrícola... Era considerado MESTRE na nobre ARTE das DÉCIMAS... consta que se encontrou em despiques com o Poeta algarvio António Aleixo...
A COBRA
A lenda de Beja: o TOURO e a COBRA, em 10 BALADAS / 10 versões: seguida de seis CANTATAS / BALADAS das FONTES... as Fontes no Cancioneiro Medieval...e o enCANTO das FONTES no Cancioneiro Popular...
NOMINALIA
Uma sinfonia em CINCO andamentos, que vai desde a toponímia, nomes característicos dos lugares da Serra da Estrela (Manteigas); NOMES de Pessoas, apelidos e ALCUNHAS originais... e alguns exemplos dos modos de FALAR...
A SERPE
A SERPE pretende ser uma Sinfonia para Coros, com uma Entrada com três Andamentos, seguida da Sinfonia para Coros, com mais três Andamentos e um FINAL a dar um sentido ao nome da Vila Branca - SERPA...
MANTEIGAS
LENDA da fundação mítica de MANTEIGAS e mais 8 lendas... A Senhora dos Pastores no Covão do Boi, o GRITO DO ÍNDIO e o VELHO CEGADOR de ERVA... uma teoria sobre o nome de MANTEIGAS
50 Cases in Clinical Cardiology
This book provides postgraduate trainees with 50 real clinical cardiology cases. Divided into fourteen sections, several cases are presented under each category covering various disorders of the cardiac system, including congenital heart diseases, aortic valve diseases, pulmonary diseases, ECG abnormalities, cardiac arrhythmias, coronary artery disease and much more. Beginning with a brief history and findings based on physical examination, each case then includes analytical discussion on bedside investigations and proposals for treatment. Authored by a recognised expert in the field, this practical book is highly illustrated with echocardiographic, radiographic and electrocardiographic data. Key points Presents 50 real clinical cardiology cases Covers numerous disorders of the cardiac system Authored by recognised cardiologist Includes more than 217 images, illustrations and tables
The Hidden Musicians
A landmark in the study of music and culture, this acclaimed volume documents the remarkable scope of amateur music-making in the English town of Milton Keynes. It presents in vivid detail the contrasting yet overlapping worlds of classical orchestras, church choirs, brass bands, amateur operatic societies, and amateur bands playing jazz, rock, folk, and country. Notable for its contribution to wider theoretical debates and its influential challenge to long-held assumptions about music and how to study it, the book focuses on the practices rather than the texts or theory of music, rejecting the idea that only selected musical traditions, "great names," or professional musicians are worth studying. This opens the door to the invisible work put in by thousands of local people of diverse backgrounds, and how the pathways creatively trodden by amateur musicians have something to tell us about both urban living and what it is to be human. Now with a new preface by the author, this long-awaited reissue of The Hidden Musicians will bring its insights and innovations to a new generation of students and scholars.
Paulo Emílio Salles Gomes
Paulo Emílio Salles Gomes (1916–77) is revered in Brazil as the first ardent defender, promoter and theorist of Brazilian cinema. A film professor, critic and historian, his dedication to cinema shaped a generation of influential film critics in his home country, and set the foundations for the serious study of film in Brazil. For the first time in English, this book brings together a selection of his essays for an English-speaking audience, with detailed explanatory introductions to each section for readers unfamiliar with the context of the writings of Salles Gomes. By blending together ruminations on global and national cinema, as well as avant-garde film and popular movies, the collection shows how the defence and promotion of a national cinema has been forged through dialogues with international trends, informed by commercial influences, and shaped by global and national political contexts. The book thus introduces readers to the international dimensions of Salles Gomes’s engagements with film, and in doing so reassesses the locatedness of his formulations on national cinema and signals their international dimensions.
Carmen Martín Gaite
This book reconstructs the poetics of Carmen Martín Gaite by viewing the concept of journey as a fundamental principle upon which she bases and elaborates her narrative writing of the 1990s. Five novels published in this period receive critical attention, all of which coincide with the last trips taken by the writer to New York: Caperucita en Manhattan (1990), Nubosidad variable (1992), La reina de las nieves (1994), Lo raro es vivir (1996) and Irse de casa (1998). To the extent that the journey is the essence of the narrative under consideration, the concept is analysed as an aesthetic practice and an attempt to identify a series of actions, which allow us to link the writer’s novels with two areas that have previously received only scant critical scrutiny: geography and the visual dimension. This book presents a comparative and interdisciplinary analysis of space in Martín Gaite’s narrative as well as in her collages, drawings and paintings.
