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GRITOS na SOLIDÃO´- Décimas de Inocêncio de Brito
Poeta Popular, do Alentejo, nasceu em 30 de Abril de 1854 e faleceu em de Dezembro de 1938... Foi pastor e trabalhador agrícola... Era considerado MESTRE na nobre ARTE das DÉCIMAS... consta que se encontrou em despiques com o Poeta algarvio António Aleixo...
A COBRA
A lenda de Beja: o TOURO e a COBRA, em 10 BALADAS / 10 versões: seguida de seis CANTATAS / BALADAS das FONTES... as Fontes no Cancioneiro Medieval...e o enCANTO das FONTES no Cancioneiro Popular...
NOMINALIA
Uma sinfonia em CINCO andamentos, que vai desde a toponímia, nomes característicos dos lugares da Serra da Estrela (Manteigas); NOMES de Pessoas, apelidos e ALCUNHAS originais... e alguns exemplos dos modos de FALAR...
A SERPE
A SERPE pretende ser uma Sinfonia para Coros, com uma Entrada com três Andamentos, seguida da Sinfonia para Coros, com mais três Andamentos e um FINAL a dar um sentido ao nome da Vila Branca - SERPA...
MANTEIGAS
LENDA da fundação mítica de MANTEIGAS e mais 8 lendas... A Senhora dos Pastores no Covão do Boi, o GRITO DO ÍNDIO e o VELHO CEGADOR de ERVA... uma teoria sobre o nome de MANTEIGAS
50 Cases in Clinical Cardiology
This book provides postgraduate trainees with 50 real clinical cardiology cases. Divided into fourteen sections, several cases are presented under each category covering various disorders of the cardiac system, including congenital heart diseases, aortic valve diseases, pulmonary diseases, ECG abnormalities, cardiac arrhythmias, coronary artery disease and much more. Beginning with a brief history and findings based on physical examination, each case then includes analytical discussion on bedside investigations and proposals for treatment. Authored by a recognised expert in the field, this practical book is highly illustrated with echocardiographic, radiographic and electrocardiographic data. Key points Presents 50 real clinical cardiology cases Covers numerous disorders of the cardiac system Authored by recognised cardiologist Includes more than 217 images, illustrations and tables
On the Origin of Stories
A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects—anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love. Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play...
Why Read the Classics?
A posthumously published collection of thirty-six essays offering Italo Calvino's invigorating and illuminating analysis of his most treasured literary classics.
Fado Alexandrino
On the tenth anniversary of the return of their battalion from Mozambique, five men attempt to rekindle the fraternal bond that helped them survive the colonial war that was Portugal's Vietnam. In turn, they tell the stories of their lives before, during, and after the revolution that overthrew the long-lived Salazar dictatorship.
Paulo Emílio Salles Gomes
Paulo Emílio Salles Gomes (1916–77) is revered in Brazil as the first ardent defender, promoter and theorist of Brazilian cinema. A film professor, critic and historian, his dedication to cinema shaped a generation of influential film critics in his home country, and set the foundations for the serious study of film in Brazil. For the first time in English, this book brings together a selection of his essays for an English-speaking audience, with detailed explanatory introductions to each section for readers unfamiliar with the context of the writings of Salles Gomes. By blending together ruminations on global and national cinema, as well as avant-garde film and popular movies, the collection shows how the defence and promotion of a national cinema has been forged through dialogues with international trends, informed by commercial influences, and shaped by global and national political contexts. The book thus introduces readers to the international dimensions of Salles Gomes’s engagements with film, and in doing so reassesses the locatedness of his formulations on national cinema and signals their international dimensions.
