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Chernobyl
"Named the "man of legend" by the Washington Post, Igor Kostin is the main witness of the Chernobyl catastrophe. On April 26, 1986, several hours after the explosion, he flew over the plant; the radioactivity was so high that all his films turned black. Only one single picture survived: it was shown around the world. Surprised by the enormity of the disaster and the silence of the authorities, Kostin decided to stay and live in the midst of the 800,000 "liquidators" who followed each other on the site of the accident." "Himself affected by radiation, he did not stop, but for twenty years continued to photograph the plant and the forbidden zone surrounding it. His story became the story of Chernobyl. He witnessed the evacuation of villages, the desperation and the courage of the people, the construction of the sarcophagus, the men transporting radioactive blocks with naked hands, the machine cemetery, where man no longer belongs ... For the first time he tells the story in words and in pictures."--BOOK JACKET.
Courage
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Nonviolence
The so-called 'war on terror' has gone badly for the West, playing directly into the strategy of al-Qa'ida and the rest of the terrorist network. Why did this happen? Were there other approaches that might have been implemented with better prospects of success? This edited collection of perspectives on the non-violent counter to terrorism opens the topic to serious consideration. The development of a non-violent paradigm brings into sharp focus the deficiencies of present thinking, and paves the way for comprehending how non-violence might overcome those deficiencies and introduce viable alternatives. Since there is a general ignorance about the history, theory and operational dynamics of no...
Jamaica Kincaid's Writings of History
Jamaica Kincaid's works consistently explore how colonial history affects contemporary everyday lives. Throughout her novels, short fiction, and non-fictional essays, Kincaid's texts engage with history through its medial representations, which are starkly determined by colonial perspectives. This study examines the entanglements of temporalities in current perceptions of the past and how literary text intervenes in historical consciousness. With a focus on the media text, image, and the human body, the chapters of this book demonstrate how Kincaid's "poetics of impermanence" counter colonial representations of history with strategies of ambiguity, repetition, and redirection. Kincaid's texts repeat and revise aspects of colonial history - a process that decenters the totality of historical colonial ideology and replaces it with self-determined versions of the past through a multiplication of perspectives and voices.
Appearances Matter
The visual turn recovers new pasts. With education as its theme, this book seeks to present a body of reflections that questions a certain historicism and renovates historiographical debate about how to conceptualize and use images and artifacts in educational history, in the process presenting new themes and methods for researchers. Images are interrogated as part of regimes of the visible, of a history of visual technologies and visual practices. Considering the socio-material quality of the image, the analysis moves away from the use of images as mere illustrations of written arguments, and takes seriously the question of the life and death of artifacts – that is, their particular historicity. Questioning the visual and material evidence in this way means considering how, when, and in which régime of the visible it has come to be considered as a source, and what this means for the questions contemporary researchers might ask.
A Dash of Daring
The definitive biography of Carmel Snow, one of the most extraordinary women of the twentieth century, whose stewardship of Harper's Bazaar helped to redefine fashion journalism.
David 'Chim' Seymour
"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism’s famous cooperative Magnum Photos. Weaving Chim’s life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum’s 1955 bylaws, which are still in effect today. But he is the only one of those famous photographe...
Red Army Faction, A Documentary History
The first in a two-volume series, this is by far the most in-depth political history of the Red Army Faction ever made available in English. Projectiles for the People starts its story in the days following World War II, showing how American imperialism worked hand in glove with the old pro-Nazi ruling class, shaping West Germany into an authoritarian anti-communist bulwark and launching pad for its aggression against Third World nations. The volume also recounts the opposition that emerged from intellectuals, communists, independent leftists, and then—explosively—the radical student movement and countercultural revolt of the 1960s. It was from this revolt that the Red Army Faction emerg...
Disability and Discourse Analysis
Although efforts have been made to integrate disability into the discourse analysis and conversation analysis canon, the link between the two fields needs to be strengthened. This ground-breaking volume contributes to this link by thoroughly applying the analytical vocabulary of discourse analysis to issues that are central to the field of disability studies. It strengthens disability studies by supplying case studies of representations and constructions of disability and disabled people in discourse, theorizes the role played by language in the social construction of disability, and makes disability a more salient topic for discourse analysts.
The Palgrave Handbook of Artistic and Cultural Responses to War since 1914
This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part...
