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British Entrepreneurship in Poland
Drawing upon an impressive range of international sources, this book explores the late-nineteenth century partnership between Bradford worsted manufacturers the Briggs brothers and the German merchant Ernst Posselt, and their subsequent foreign direct investment in a modern factory and workers’ community at Marki, near Warsaw in Poland. Protectionism and increasing foreign competition are discussed, among many complex economic pressures on British industry, as likely catalysts for this enterprise and the general historiography of the Polish lands is explored to reveal a climate of extraordinary opportunity for well-capitalised foreign industrialists in this period. British, Polish and Germ...
Three Wise Monkeys
Volume 1 of Three Wise Monkeys explores the Portuguese colonisation of Mozambique, and the gradual transformation of the colony into a reservoir of cheap labour, first during the Atlantic slave trade and then during the rise of the voracious Rand mining industry. Mozambique became locked into financial dependence on South Africa. The South African mining industry came to own significant parts of the harbour infrastructure of Lourenço Marques. The mining industry's insatiable appetite for pit props gave rise to a globalised trade in timber flowing in from the US, Scandinavia and Australia via new shipping lines to the port of Lourenço Marques. After World War I, the South African gold-mining industry and Mozambique's weak 'central bank', the Banco Nacional Ultramarino, operating alongside the South African Reserve Bank, a branch of the Royal Mint and the Rand Refinery, effectively controlled the economic fortunes and destiny of South Africa's neighbour. Mozambique was colonised twice over – first by Portugal and then by South Africa.
The Collected Writings of Franz Liszt
In Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers and Performers, the third volume in Janita R. Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt heralds his admiration for early nineteenth-century opera and musical stage works. He honors Gluck, the musical prophet, as the cultivator of dramatic truth in the Romantic opera Orpheus, expounds on Beethoven’s harmonic inventions and innovative treatment of form in Fidelio, and argues for the latter’s incidental music to Goethe’s Egmont as the epitome of music organicism, a complete unity of words and tone. He also comments on Weber’s Euryanthe as offering the most pro...
