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Hollywood Goes to War
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.
Documenting America, 1935-1943
Photographs by a team of photographers who traveled across the United States documenting America's experience of the Great Depression and World War II.
The Negro Press
None
Mobilizing Women for War
To discover how war can affect the status of women in industrial countries, Leila Rupp examines mobilization propaganda directed at women in Nazi Germany and the United States. Her book explores the relationship between ideology and policy, challenging the idea that wars improve the status of women by bringing them into new areas of activity. Using fresh sources for both Germany and the United States, Professor Rupp considers the images of women before and during the war, the role of propaganda in securing their support, and the ideal of feminine behavior in each country. Her analysis shows that propaganda was more intensive in the United States than in Germany, and that it figured in the su...
Inventing Public Diplomacy
Public diplomacy - the uncertain art of winning public support abroad for one's government and its foreign policies - constitutes a critical instrument of U.S. policy in the wake of the Bush administration's recent military interventions and its renunciation of widely accepted international accords. Wilson Dizard Jr. offers the first comprehensive account of public diplomacy's evolution within the U.S. foreign policy establishment, ranging from World War II to the present. Dizard focuses on the U.S. Information Agency and its precursor, the Office of War Information. Tracing the political ups and downs determining the agency's trajectory, he highlights its instrumental role in creating the policy and programs underpinning today's public diplomacy, as well as the people involved. The USIA was shut down in 1999, but it left an important legacy of what works and what doesn't in presenting U.S. policies and values to the rest of the world. Inventing Public Diplomacy is an unparalleled history of U.S. efforts at organized international propaganda.
Soldiers of the Pen
From 1942 to 1945, a small, influential group of media figures willingly volunteered their services to form the Writers' War Board (WWB), accepting requests from government agencies to create propaganda. Members included mystery writer Rex Stout, Pulitzer and Nobel Prize winner Pearl S. Buck, novelist and sports writer Paul Gallico, Book-of-the-Month Club editor and popular radio host Clifton Fadiman, and Broadway lyricist Oscar Hammerstein II. The WWB mobilized thousands of other writers across the country to spread its campaigns through articles, public appearances, radio broadcasts, and more. The WWB received federal money while retaining its status as a private organization that could mount campaigns without government oversight. Historian Thomas Howell argues that this unique position has caused its history to fall between the cracks, since it was not recognized as an official part of the government's war effort. Yet the WWB's work had a huge impact on the nation's wartime culture, and this fascinating history will inform contemporary thinking on propaganda, the media, and American society.
Emergence of the Intelligence Establishment
State Department Publication 10316. Edited by C. Thomas Thorne, et al. General Editor: Glenn W. LaFantasie. One of a series of volumes on the foreign policy of the Truman administration. Also advertised with the subtitle: Intelligence and Foreign Policy. Includes high-level governmental plans, discussions, administrative decisions, and managerial actions that established institutions and procedures for the central coordination of intelligence collection and analysis and covert action. Documentsthe advice, actions, and initiatives of principals and groups in other departments and agencies, who helped to lay the foundations for the centralized intelligence bureaucracy.
