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1979-1990
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1945-1978
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1977
No detailed description available for "1977".
Redesenhando o desenho: educadores, política e história
Redesenhando o desenho trata de um período muito rico do ensino do Desenho entre 1927 e 1937 e da destruição que se seguiu com a perseguição a educadores promovida pela ditadura do Estado Novo. A obra procura rever, relembrar, recuperar, ressignificar ou redesenhar o esforço interrompido por uma ditadura em prol do ensino do Desenho como iniciação ao Design e à Arte. Um texto inédito de John Dewey, encontrado nas pesquisas nos Estados Unidos, explica muito bem o sentido de desenho como técnica e criação que a Escola Nova defendeu.
Bloomsbury Encyclopedia of Popular Music of the World, Volume 9
The Bloomsbury Encyclopedia of Popular Music Volume 9 is one of six volumes within the 'Genre' strand of the series. This volume discusses the genres of the Caribbean and Latin America relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres. This volume features over 300 in-depth essays on genres ranging from Afro-Cuban Jazz to Alcatraz, from Carnaval to Charanga, and from Dancehall to Dub.
The Conspiracy of Modern Art
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.
