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This book is a selection of the best of stories by Upendrakishore Roychoudhuri, and the most fascinating of his characters: Goopy and Bagha, dedicated but unsuccessful musicians who are cast out of their homes because their music drives their families and neighbours crazy; Tuntuni, the little bird; the clever fox; Majantali Sarkar, the cat; the intrepid Granny Hunchback; and many others. Swagata Deb’s vibrant translation brings Upendrakishore’s unique magic to a wider audience, giving a new lease of life to these evergreen tales.
This volume of essays by scholars in the field of English and American studies brings together a variety of perspectives on the utopian literature originating from cultural communities from 1790-1910. Ranging from the Lunar society to the Nationalist movement, and from the Transcendentalists to the Indian Monday Club the fifteen peer-reviewed articles examine a wide range of contexts in which utopian literature was written, and will be of interest to scholars in the field of cultural and literary studies alike. Moreover, the volume presents the reader with a unique overview of developments in Utopian thinking and literature throughout the long nineteenth century. Specific attention is paid to the transatlantic nature of cultural communities in which utopian writings were produced and read as well as to the colonial contexts of nineteenth-century utopian literature. As such, the collection offers a novel approach to a tradition of utopian writing that was essentially transcultural. Marguérite Corporaal (Radboud University Nijmegen) and Evert Jan van Leeuwen (Leiden University) are lecturers in English and American literature in the Netherlands.
James Achilles Kirkpatrick Landed On The Shores Of Eighteenth-Century India As An Ambitious Soldier Of The East India Company. Although Eager To Make His Name In The Subjection Of A Nation, It Was He Who Was Conquered Not By An Army But By A Muslim Indian Princess. Kirkpatrick Was The British Resident At The Court Of The Nizam Of Hyderabad When In 1798 He Glimpsed Khair Un-Nissa Most Excellent Among Women' The Great-Niece Of The Nizam'S Prime Minister. He Fell In Love With Khair, And Overcame Many Obstacles To Marry Her Not Least Of Which Was The Fact That She Was Locked Away In Purdah And Engaged To A Local Nobleman. Eventually, While Remaining Resident, Kirkpatrick Converted To Islam, And According To Indian Sources Even Became A Double-Agent Working For The Hyderabadis Against The East India Company. Possessing All The Sweep Of A Great Nineteenth-Century Novel, White Mughals Is A Remarkable Tale Of Harem Politics, Secret Assignations, Court Intrigue, Religious Disputes And Espionage.
The present study makes a foray into a largely unexplored area of modern Indian history — the entrance, activities & impact of a socio-religious reform movement in the tradition-bound conservative society of Punjab during the 19th & early 20th centuries. Truly, the untold story of the origin, rise & decline of the Brahmo Samaj in Punjab is so significant historically, so invigorating intellectually, & so inspiring spiritually that it needed to be revealed much earlier. In its short span of existence in the province. the Brahmo Samaj. aided by the hard work & dedication of several of its noble spirits that included Keshubchandra Sen, Sivanath Sastri, Nabin Chandra Roy, Shivanarayan Agnihotr...
Colonial India in Children’s Literature is the first book-length study to explore the intersections of children’s literature and defining historical moments in colonial India. Engaging with important theoretical and critical literature that deals with colonialism, hegemony, and marginalization in children's literature, Goswami proposes that British, Anglo-Indian, and Bengali children’s literature respond to five key historical events: the missionary debates preceding the Charter Act of 1813, the defeat of Tipu Sultan, the Mutiny of 1857, the birth of Indian nationalism, and the Swadeshi movement resulting from the Partition of Bengal in 1905. Through a study of works by Mary Sherwood (...
Felu, the super slueuth, is the nickname of Pradosh C. Mitter. Although Satyajit Ray wrote Feluda stories for the largely younger readers, soon it was found that they were being read by their parents as well. Soon longer stories followed-novelettes-taking place in a variety of picturesque settings. From the historical setting of Lucknow-to solve the mystery of diamond ring, which once belonged tothe Mughal emperor Aurengzeb-to the Blue Beryl of Kailash Chowdhury, this is the first ever Feluda journal, which opens a window to unseen archiving materials, illustrations and rare publicity stills created by Ray. A companion journal to scribble your thoughts, this collector's edition brings to light the ever-popular adventures of Satyajit Ray's enduring creation, Feluda!
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
On the completion of fiftieth year of Sahitya Akademi.
The exponential growth of high-detail photographic reproduction over the last century is premised on the minute half-tone dot, which is also the forebearer of the contemporary digital pixel. Upendrakishore Raychowdhury was an internationally recognized pioneer in the field and is credited with inventing one of the key components of the half-tone process. Between 1897 and 1912, he wrote nine essays on aspects of his half-tone technique for 'Penrose’s Pictorial Annual', a periodical of the graphic arts. This edition brings together the essays for the first time, and in facsimile. Upendrakishore Raychowdhury (1863-1915) was a reputed Bengali writer, musicologist, artist, publisher, and editor. His fame chiefly rests on the books he wrote for young readers, such as 'Sekaler Kotha', 'Tuntunir Boi', 'Cheleder Mahabharat', as well as his editorship of the children’s magazine 'Sandesh'. He was also one of the leading printers of his time, and an innovator in the field of process work (mass reproduction of photographs). His legacy of innovation was carried forward by his son, Sukumar Ray, and grandson, Satyajit Ray, who were pioneers in their own fields.
The Collected Stories of Upendrakishore Ray Chowdhury is a selection of sixty-three stories by a master storyteller (1863-1915). Featuring a vibrant cast of characters-eccentric woodland animals, a motley crew of unusual villagers and townspeople, bewildering ghosts, competitive demons, and gods from Norway and Japan-these stories laced with rib-tickling humour, clever puns, and bizarre situations have entertained young readers for generations. 'Tuntunir Boi', the first book in the collection, has twenty-seven stories. These include adventure yarns of the author's most popular characters like the mischievous tailor bird Tuntuni, the crafty fox Sheyal, the arrogant feline Mawjontali Sarkar, a...