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The Tale of Urso Brunov
Urso Brunov or Little Father, a bear the size of a thumb, saves a group of animals from a misguided baggy-trousered crybaby known as the Lord of all Sands.
Urso Brunov and the White Emperor
In the middle of a wintry night, deep in the forest, Urso Brunov hears a cry for help carried over the cold winds. Wolves are on the prowl and two young polar bears are lost in the forest. Though he may be the size of a thumb, who is Urso Brunov if he is not the Little Father of All Bears? Traversing snow-laden forests on the backs of stags and crossing wide seas atop a whale, this tiny yet brave hero returns the two lost polar bear cubs to the Land of Rainbow Lights - and is treated to a grand celebration in the land of ice before returning home in a wondrous moonlit flight on the back of a goose. In the age-old tradition of tall tales, Redwall author Brian Jacques shows us storytelling at its finest in this spirited adventure.
Alessandra D'Urso and Alessandra Borghese
Jubileum is an artistic reportage of the 2015-16 Jubilee of Mercy, the historic celebration of the Catholic Holy Year proclaimed by Pope Francis and centered around St. Peter's Basilica in Rome. The Jubilee, held every 25 to 50 years since first instigated by Pope Boniface VIII in 1300, is a time of universal pardon and indulgence, where pilgrims head to Rome to renew their faith. Alessandra d'Urso and Alessandra Borghese gained privileged access to the Vatican to document the Jubilee, as a result of Borghese's respected experience as a writer and journalist in the field. D'Urso's photos depict the little-seen rituals and grand settings of the Church, for example Pope Francis opening the hol...
Camilla
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Camilla
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Camilla
Camilla: A Tale of A Violin - Being the Artist Life of Camilla Urso by Charles Barnard. Camilla Urso (13 June 1840 – 20 January 1902) was an American violinist born in France. In the autumn of 1852 she appeared in New York City with her own company of assisting artists, including her father on flute. Reporting on her appearance at a private soirée, the Evening Post (27 September 1852) wrote: "She handles the violin with as much freedom and ease as a Spanish lady does her fan." The Mirror (1 October 1852), reviewing her debut at Metropolitan Hall on 30 September, reported: "Her appearance was singularly prepossessing, her pose firm, correct, yet easy, and her little arm guided the bow with...
Music Research
No further information has been provided for this title.
An Ascent to Madness
Humanity is taking its first steps out into the universe, but something otherworldly is happening closer to home. For the young Jake Darling, stories of alien experimentation and lights in the sky have become all too real, and what was once the talk of lunatics is now disturbingly true. The seventh installment of Aethertales, An Ascent to Madness blurs the lines between delusion and reality, recounting the struggle of one boy against a family that refuses to believe him, and the sinister beings that have turned his life into a terrible nightmare.
Vengeance Is
It is about young nave woman, who lifes choices are never in her control; those decisions are in other peoples hands or governed by the circumstances or environment. She fights constantly with herself over moral dilemmas while trying to stays alive long enough to discover her true calling. This leads her on an adventure through time and space. From a world that couldnt accept her, thrust into a vampiric world through her DNA that welcomes her, but she cant accept. Where she discovers her biological father is a well-known vampire warrior and a world ambassador with a past seeped in violence, deception and vengeance. Worlds of violence were only power and class have relevance, Alcina is forced...
Life Stories and Sociological Imagination
What happens when public figures’ private selves are put forth for examination by public audiences? How do the personal struggles of music artists, specifically those with immigrant backgrounds, compare to the private struggles of other individuals? At a time when many countries in the European Union are experiencing an increase in far-right political party activities, how do individuals from the margins negotiate new ways of thinking about identity, offering hope for a greater understanding of shared struggles across societies? This book offers interpretations of identity and belonging by examining the work of two music artists, Faudel Belloua from France and Adam Tensta from Sweden. By analyzing texts produced by these individuals, the author argues that ongoing engagement with the materials produced by Belloua and Tensta, a process which she refers to as living biography, presents a unique window into the process of how Belloua and Tensta connect personal struggles to public issues, providing a compelling departure point for further discussions on how interpretations of national identity are changing in France, Sweden and beyond.
