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Broken Music
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The Library
Welcome to the unpredictable world of Washington D.C.s Sojourner Truth Regional Library where the psychiatric hospital and homeless shelters drop off clients every day. Driven by addictions, obsessions and temptations of all kinds, library staff and patrons alike fill each workday with its share of scandal and drama. Anthony Broadnax, an impulsive young crack-addicted circulation desk technician, accused of assault and theft at a smaller branch, must report to Sojourner Truth while his case is being investigated. Assistant regional library manager, Jackie Ramsey, declares all-out war against her underhanded and ambitious rival, Brian Cole. Brian, however, is trapped in a web spun by his irresistible attraction to Jackies best friend. Ursula Swann is an industrious, straight-laced reference librarian who is wearing herself out trying to keep order in a branch spiraling out of control. Will she succeed in saving Sojourner Truth Regional, or will her own secret Dewey demons drive her mad? Check out this fresh urban library adventure that you will never forget!
Cracked Media
"In Cracked Media, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media.".
The Bloody End (Blood Vice Books 7-8)
Royal vampire duties are a pain in the fangs. A digital omnibus of books 7-8 in the Blood Vice Series. 7) Flesh and Blood 8) Out for Blood Jenna would trade her crown for a badge and gun any day of the week. But life—or death, rather—had different plans for her. Still, she’s convinced she can find a balance between the two. The same way she thought she could maintain both her former mortal existence and newly undead status. In a perfect world, it might have been doable. But in Jenna's world of cutthroat vampire councils and werewolf terrorists? Not a chance. If you like a little fang in your urban fantasy and action in your paranormal romance, follow Jenna Skye on her crash course introduction to supernatural society in St. Louis! New to Jenna and House Lilith? Begin the series with Blood Vice (book 1) or the first omnibus, Fresh Blood (books 1-3), today!
Out for Blood
The 8th and final book in the Blood Vice series. This vampire princess is out for blood. Jenna thought thwarting the Free Blooders’ plans in St. Louis would send the wolf rebels back into the shadows, but the organization’s reach is much further than anyone realized. House Lilith pays dearly for this lack of foresight. Before they have time to recover from the devastating loss, their enemies strike again. The night after Ursula is crowned queen, multiple bomb attacks are reported across the country, all targeting high profile members of supernatural society. The Vampiric High Council demands retribution, and every Blood Vice agent is assigned overtime in the search for the Free Blooders and their leader, Marcel Moreau. So, it's up to House Lilith to save one of their own when the royal family is ambushed. With the future of their family and world at stake, they seek out every ally at their disposal—friends in low places, high places, and places lost in time. New to Jenna and House Lilith? If you love urban fantasy with paranormal law enforcement and modern vampire royalty, begin this series with book one, Blood Vice, today!
Smith Family Ties
Fredrick George Schmidt (1806-1877) was born at Dresden, Germany. He immigrated to America ca. 1838. He married Caroline Matilda Beadle (1838-1915), a native of Abbeville, Louisiana, ca. 1842. They had fourteen childre, 1843-1867. He died at Johnsons Bayou, Louisiana. Matilda Smith died at Pt. Neches, Texas, and was buried at Smith Ridge Cemetery, Johnsons Bayou with here husband. Descendants lived in Texas and elsewhere.
Art, Animals, and Experience
Cover -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- List of Color Plates -- Acknowledgments -- 1 Relational Ethics and Aesthetics -- Being and Thinking with Art and Animals -- Between Presence and Absence -- An Ethical Art History -- 2 Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640 -- Real and Represented Dogs -- Rembrandt's Three R's: Radical, Reflective, Revelatory -- The Rhetoric of Etching -- Fleshly Experience -- Past Made Present -- 3 Glances with Wolves: Encounters with Little John and Joseph Beuys -- Entangled Encounters -- Seeing and Being with Little John -- Presencing Other Worlds -- Imaginative Empathy -- Gathering Together in the Gap -- 4 G...
HardBall
Vivian’s a pretty mild-mannered person. Even with a busload of hyperactive fourth graders going to a baseball signing, she’s patient and kind. Even when she meets Dash Wallace…major league legend and star of her hottest daydreams…she keeps her cool. Kind of. Mostly. It was fine. Then his glove is missing and he accuses one of those fourth graders of being a thief. You do not come after one of Vivian’s kids. She will defend them to the death.. Dash suddenly finds himself with an apology on his lips and an unexplainable attraction to a woman who’s just not his type. But he keeps his cool. Kind of. Mostly. It’s fine until the regular season, when he’s going to travel with the team. He has rituals. Processes. Routines. You could even call them superstitions. They involve having a woman in every city he plays, and Vivian’s going to have to be fine with that, or he’s going to be just fine leaving her. Kind of. Mostly. Not fine. Vivian lays down the law, and Dash has to decide between her and winning.
BAG
From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists involved with theater, visual arts, dance, poetry, and jazz. Inspired by the reinvigorated black cultural nationalism of the 1960s, artistic collectives had sprung up around the country in a diffuse outgrowth known as the Black Arts Movement. These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance--all while struggling to carve out a place within the context of St. Louis history and culture.A generation of innovative artists--Julius Hemphill, Oliver Lake, an...
