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The Image and Influence of America in German Poetry Since 1945
Examines the image of the US in German poetry and the reception and influence of American poetry in Germany since 1945. This book focuses on the image of the US in German poetry and the reception of American poetry in Germany since 1945. Gregory Divers examines poems by major figures in 20th-century German literature - Benn, Brecht, Bachmann, Jandl, and Grass, among others - and by other poets who shaped America's postwar image in Germany. Divers traces America's postwar status in Germany from the prisoner-of-war poems of Günter Eich to the pop poetry of Rolf Dieter Brinkmann and Peter Handke. Continuing, he finds that although the 1960s protest poems of Erich Fried and others reflect the t...
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Word Traces
Includes the first complete English translation of Jacques Derrida's book-length essay, "Shibboleth for Paul Celan." "Despite a growing interest in Celan over the past twenty years, there is no collection in English which comes as close to the extended critical presentation assembled here. Word Traces will be a standard text on Celan--the variety of the essays is wide and will appeal to specialists in philosophy, German studies, modern poetry, comparative literature, and literary theory. This is an impressive collection of texts written by philosophers and critics whose concerns show the pertinence and breadth of Celan's writings for contemporary thought."--Steven Ungar, University of Iowa
Committed Aestheticism
This study investigates the antithetical functions of aestheticism and political commitment in Günter Eich's poetic theory and poetry, from the nature poetry of the 1930s to the anti-poetry of the 1960s. In an analysis of selected poems and of all known speeches, essays, book reviews, and notes on poetry, Dr. Richardson closely examines an important controversial issue in Eich scholarship and criticism: Was Günter Eich a poetic aesthete, aloof from the social and political turmoil of his time, or was he really an engaged poet who struggled against the reactionary politics of German society and the dehumanizing forces of the modern world? This study concludes that Eich is neither a pure nor a political poet, but an advocate of committed aestheticism, in which pure art is cultivated to counteract politics and power.
Karl Krolow and the Poetics of Amnesia in Postwar Germany
Donahue presents Krolow's career from a wholly new perspective, presenting in sum, but overturning, decades of Krolow criticism that, begun on a false footing, missed the real historical depth in Krolow's poems: the depth of avoidance."--BOOK JACKET.
