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Anthology of Hindi Short Stories
It Is An Excellent Selection By Bhisham Sahni Of The Best Stories Written In Hindi During The Last Few Decades. It Features Over 25 Stories By Well Known Writers Like Amrit Lal Nagar, Bhisham Sahni, Mohan Rakesh, Amrit Rai, Kamleshwar, Markandaya, Nirmal Verma, Mannu Bhandari And Ram Darash Mishra. The Stories Are Marked By A Wide Variety Of Themes, Mostly Related To Contemporary Social Life, Like Alienation, Loneliness, Weariness, And The Crisis Of Values.
Pratinidhi Kahaniyan : Usha Priyamvada
उषा प्रियम्वदा को पढ़ना एक साथ बहुत से बिम्बों में घिर जाना है। बिम्ब जो घुमड़ते बादलों की तरह अनायास तैरते चले आते हैं और एक सार्थक संगति में गुँथकर पहले दृश्य का रूप लेते हैं। कहानियों में परम्परा के निर्वहण की अभ्यस्तता और उसे तोड़ देने की सजगता एक साथ गुँथी हुई मिलती ...
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Radical Feminism and Women's Writing
The Book Places A Body Of Women S Fiction Against The Ideological Territory Of Radical Feminism With A Firm Belief In Its Social, Political And Intellectual Essentiality. The Absence Of This Specific Discourse In Women S Texts Stirs An Urge For A Different Kind Of Gender Sensitivity Than Their Limited And Undefined Approach Provides. The Book Takes Into Its View A Huge Compendium Of Women S Fiction In Hindi And In Indian English, Most Of Which Has Been Victim Of Hegemonic Biases And Overall Marginalization.
The Growth of the Novel in India, 1950-1980
This Collection Of Essays Is Meant To Be A Survey Of The Novel In Twelve Major Indian Languages During The Period 1950 To 1980. While Seeking To Bring Into Focus The Major Trends And Tendencies That Characterise The Growth Of The Novel In These Languages, The Book Atempts To Explore The Traditions Being Established In Indian Novel Today And The New Directions The Novel Is Likely To Take In Our Languages. Gobinda Prasad Sarma Convincingly Shows How The Assamese Novel Reflects The Assamese Society And How Experimentation With New Techniques Has Widened The Horizons Of Assamese Novel: And K. Sivathamby, Through A Brilliant Analysis Of The Interconnection Between The Societal Factors And Develop...
The Greatest Hindi Stories Ever Told
The twenty-five stories in The Greatest Hindi Stories Ever Told represent the finest short fiction in Hindi literature. Selected and translated by editor, writer, and translator Poonam Saxena, and ranging from early literary masters of the form such as Premchand, Chandradhar Sharma Guleri, Bhisham Sahni, Harishankar Parsai, Mannu Bhandari, and Shivani to contemporary greats such as Asghar Wajahat, Uday Prakash, Sara Rai, and others, the collection has stories of darkness, hope, triumph, anger, and irony. In Premchand's 'The Thakur's Well', 'low-caste' Gangi struggles to find drinking water for her ill husband; in 'The Times Have Changed' by Krishna Sobti, the matriarch Shahni bids a heart-br...
Collected Indian Short Stories in Translation
The book will certainly attract both the Indian and Foreign students of Colleges and Universities for its approach and presentation of Indian stories written in different Indian languages and translated into English. The language which is used in English will remind the old flavour of colonial English during the British India. The book proves that the Indians can write best stories in the world.
Hindi
The stories in this anthology hold an element of surprise for Western readers who expect an Indian narrative technique and an Indian fabric of life. On the contrary, the stories talk about universal experiences that go beyond geographical boundaries and reach out to share a modern twentieth century sensibility with the West. A must for readers with a thirst for cross-cultural experiences.
Indian Feminist Ecocriticism
Following Françoise d’Eaubonne’s creation of the term “ecofeminism” in 1974, scholars around the world have explored ways that the degradation of the environment and the subjugation of women are linked. In the nearly three decades since the publication of the classical work Ecofeminism by Maria Mies and Vandana Shiva in 1993, several collections have appeared that apply ecofeminism to literary criticism, also known as feminist ecocriticism. The most recent of these include anthologies that emphasize international perspectives, furthering the comparative task launched by Mies and Shiva. To date, however, there have been no books devoted to gaining a broad-based understanding of feminist ecocriticism in India, understood in its own terms. Our new volume Indian Feminist Ecocriticism offers a survey of literature as seen through an ecofeminist lens by Indian scholars, which places contemporary literary analysis through a sampling of its diverse languages and in the context of millennia-old mythic traditions of India.
The Modernist World
The Modernist World is an accessible yet cutting edge volume which redraws the boundaries and connections among interdisciplinary and transnational modernisms. The 61 new essays address literature, visual arts, theatre, dance, architecture, music, film, and intellectual currents. The book also examines modernist histories and practices around the globe, including East and Southeast Asia, South Asia, Sub-Saharan Africa, Australia and Oceania, Europe, Latin America, the Middle East and the Arab World, as well as the United States and Canada. A detailed introduction provides an overview of the scholarly terrain, and highlights different themes and concerns that emerge in the volume. The Modernist World is essential reading for those new to the subject as well as more advanced scholars in the area – offering clear introductions alongside new and refreshing insights.
