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The Present Book Deals With The Status Of Women In Islam. It Has Been Divided Into Two Parts-The First Deals With The Status Of Women As Per Tenets Of Islam In The Family Structure And In The Society And Economy; And The Other, With The Status Of Muslim Women In Our Country. The Problems Specifically Highlighted Are: The Acquisition Of Knowledge By Muslim Women, Their Participation In The Process Of Consultation, Their Rights And Obligations In Regard To Social Life Of Muslim Community And Their Role In Economic Activities.
Even childbirth is affected by globalization—and in India, as elsewhere, the trend is away from home births, assisted by midwives, toward hospital births with increasing reliance on new technologies. And yet, as this work of critical feminist ethnography clearly demonstrates, the global spread of biomedical models of childbirth has not brought forth one monolithic form of "modern birth." Focusing on the birth experiences of lower-class women in the South Indian state of Tamil Nadu, Birth on the Threshold reveals the complex and unique ways in which modernity emerges in local contexts. Through vivid description and animated dialogue, this book conveys the birth stories of the women of Tamil Nadu in their own voices, emphasizing their critiques of and aspirations for modern births today. In light of these stories, author Cecilia Van Hollen explores larger questions about how the structures of colonialism and postcolonial international and national development have helped to shape the form and meaning of birth for Indian women today. Ultimately, her book poses the question: How is gender—especially maternity—reconfigured as birth is transformed?
Drawing on interviews with journalists, media pictures and public opinion surveys in both UK and India, the authors outline the differing cultural, religious and political contexts which form the `world views' of North and South.
Reimagining India brings together leading thinkers from around the world to explore the challenges and opportunities faced by one of the most important and least understood nations on earth. India’s abundance of life—vibrant, chaotic, and tumultuous—has long been its foremost asset. The nation’s rising economy and burgeoning middle class have earned India a place alongside China as one of the world’s two indispensable emerging markets. At the same time, India’s tech-savvy entrepreneurs and rapidly globalizing firms are upending key sectors of the world economy. But what is India’s true potential? And what can be done to unlock it? McKinsey & Company has pulled in wisdom from ...
India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation...
The years 2021 to 2030 have been designated as "The United Nations Decade on Ecosystem Restoration". Ecological restoration and biodiversity conservation efforts face unprecedented challenges, especially in developing countries and areas, such as the Hindu Kush-Himalayan (HKH) region. This huge HKH region, which includes areas in eight separate countries (Afghanistan, Pakistan, Nepal, India, China, Bangladesh, Myanmar and Bhutan), is a biodiversity hotspot with a vast array of ecosystems, landscapes, peoples and cultures. It is known as one of 'the pulses of the world'. However, the HKH is also the world's largest and poorest mountain region, where landscapes and environments have been sever...
Report brought out by National Social Watch Coalition.
Sweet & Sour is a collection of anecdotes by a group of media professionals, who were part of the Government of India, deployed in various media units under the Ministry of Information & Broadcasting. These anecdotes give a peep into policy in the making in the corridors of power in New Delhi, eye-witness account from Sri Lanka during the deployment of the Indian Peace Keeping Force, Afghanistan through its turmoil and several decades of internal conflict in Jammu & Kashmir. Several government journalists missed death by a whisker during the call of their duty. Started just as an exercise to unwind the nerves during the lockdown period in 2020-21, it emerged as a good collection of articles, some breath-taking, some poignant, and some hilarious. It certainly is worth reading.
Provides a road map of the scholarship on modern Hindi cinema in India, with an emphasis on understanding the interplay between cinema and colonialism, nationalism, and globalization. This book attends to issues of capitalism, nationalism, orientalism, and modernity through understandings of race, gender and sexuality, religion, and politics.