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Utopian Dreams offers one writer's attempt to retreat from the 'real world' - which is making him emptier and angrier by the day - and seek out the alternatives to modern manners and morality. Instead of cynicism, loneliness and depression, is it possible to be idealistic, to find belonging and companionship with others who share your sadness, or even, perhaps, your happiness? With his wife and baby in tow, Jones spends a year with spritualists, time-travellers, reformed drug addicts and Quakers, producing a fascinating exploration of the meaning of community.
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Utopia City.Rebuilt from the ashes of America's most horrific terror attack and transformed into a paragon of technological advancement, this city stands as a beacon of possibility where almost anything can happen.Jericho Hansen certainly hopes so; as a gay superhero in the deep South, his ambition is to achieve lifelong recognition by joining Force Majeure, America's best-known superhero team. But to do that, he must first travel to Utopia and learn the hard way if he's got what it takes. The events that transpire when he gets there will turn his entire world upside down. He will experience love and loss, triumph and tragedy. Mysteries will be solved and fresh inquiries opened.Welcome to Utopia, where the most important lesson is that nothing is truly as it seems.
Utopian Dreams, Apocalyptic Nightmares traces the history of utopian representations of the Americas, first on the part of the colonizers, who idealized the New World as an earthly paradise, and later by Latin American modernizing elites, who imagined Western industrialization, cosmopolitanism and consumption as a utopian dream for their independent societies. Carlos Fuentes, Homero Aridjis, Carmen Boullosa, and Alejandro Morales utilize the literary genre of dystopian science fiction to elaborate on how globalization has resulted in the alienation of indigenous peoples and the deterioration of the ecology. This book concludes that Mexican and Chicano perspectives on the past and the future ...
In Utopian Dreams, a young research scientist works on an I.Q. enhancing drug and tries it on himself. He ends up destroying the human race and beginning again hundreds of years later as he clones his aging, almost dead, cyborg body. Other stories in this book include subjects of romance, mystery, adventure, science fiction and fantasy. Written with a wide audience in mind, the author John Hoel, is at his best writing short stories. He resides in a log cabin by a pond nestled in the Ocooch Mountains of southwestern Wisconsin and writes every day.
In Utopian Dreams, a young research scientist works on an I.Q. enhancing drug and tries it on himself. He ends up destroying the human race and beginning again hundreds of years later as he clones his aging, almost dead, cyborg body. Other stories in this book include subjects of romance, mystery, adventure, science fiction and fantasy. Written with a wide audience in mind, the authorJohn Hoel, is at his best writing short stories. He resides in a log cabin by a pond nestled in the Ocooch Mountains of southwestern Wisconsin and writes every day.
An exploration of radical megaprojects in the Ecuadorian Amazon, considering the fate of utopian fantasies under conditions of global capitalism From 2007 to 2017, the “Citizens’ Revolution” launched an ambitious series of post-neoliberal megaprojects in the remote Amazonian region of Ecuador, including an interoceanic transport corridor, a world-leading biotechnology university, and a planned network of two hundred “Millennium Cities.” The aim was to liberate the nation from its ecologically catastrophic dependence on Amazonian oil reserves, while transforming its jungle region from a wild neoliberal frontier into a brave new world of “twenty-first-century socialism.” This book documents the heroic scale of this endeavor, the surreal extent of its failure, and the paradoxical process through which it ended up reinforcing the economic model that it had been designed to overcome. It explores the phantasmatic and absurd dimensions of the transformation of social reality under conditions of global capitalism, deconstructing the utopian fantasies of the state, and drawing attention to the eruption of insurgent utopias staged by those with nothing left to lose.
The revolutionary ideals of equality, communal living, proletarian morality, and technology worship, rooted in Russian utopianism, generated a range of social experiments which found expression, in the first decade of the Russian revolution, in festival, symbol, science fiction, city planning, and the arts. In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.
In the wake of the monstrous projects of Hitler, Stalin, Mao, and others in the twentieth century, the idea of utopia has been discredited. Yet, historian Jay Winter suggests, alongside the “major utopians” who murdered millions in their attempts to transform the world were disparate groups of people trying in their own separate ways to imagine a radically better world. This original book focuses on some of the twentieth-century’s “minor utopias” whose stories, overshadowed by the horrors of the Holocaust and the Gulag, suggest that the future need not be as catastrophic as the past. The book is organized around six key moments when utopian ideas and projects flourished in Europe: ...
An essential guide to the strange, sometimes sinister culture of contemporary Italy. In 1999 Tobias Jones travelled to Italy, expecting to discover the pastoral bliss described by centuries of foreign visitors and famous writers. Instead, he discovered a very different country, besieged by unfathomable terrorism and deep-seated paranoia, where crime is scarcely ever met with punishment. Now, in this fascinating travelogue, Jones explores not just Italy's familiar delights (art, climate, cuisine), but the livelier and stranger sides of the bel paese: language, football, Catholicism, cinema, television and terrorism. Why, he wonders, do bombs still explode every time politics start getting serious? Why does everyone urge him to go home as soon as possible, saying that Italy is a 'brothel'? And why do people warn him that 'Clean Hands' only disguise 'Dirty Feet'?