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DigiCat Editore presenta "Vae victis!" (Romanzo) di Annie Vivanti in edizione speciale. DigiCat Editore considera ogni opera letteraria come una preziosa eredità dell'umanità. Ogni libro DigiCat è stato accuratamente rieditato e adattato per la ripubblicazione in un nuovo formato moderno. Le nostre pubblicazioni sono disponibili come libri cartacei e versioni digitali. DigiCat spera possiate leggere quest'opera con il riconoscimento e la passione che merita in quanto classico della letteratura mondiale.
Here is the story of Ludwig von Benedek, best known for commanding the imperial army in 1866 in the Battle of Königgrätz against the Prussian Army.
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When an alternate Earth is subsumed into a new reality comprising many worlds, a young vampire is the only one with the knowledge needed to save her planet. Sold to a vampire cartel at a young age so her starving family could eat, Marianna Rojas is accustomed to fighting for her survival. When her temper leads her to make a terrible mistake, the vampire master of the Lágrima Sangrienta Cartel decides to make an example of her. Near death, her life is spared by mere chance, but she opens her eyes in the wilderness to find two moons hanging in the sky above her. Earth is being subsumed into a new reality by a spell with godlike power, and Marianna has been chosen as one of thirty Exemplars to...
This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who brought a transnational dimension to the marked provincialism of the Italian novel by addressing issues of gender, ethnicity, and sexuality on personal and international levels, and by creating work that distanced itself from much of the female-penned literature of the day, scorning both decorum and social respectability. Chapters in this book examine Vivanti’s output from multiple perspectives, taking into account her politics and her career as a journalist, writer, and singer, as well as her literary work.
Thousands of Frenchmen volunteered to provide military help to the Nazis during World War II, fighting in such places as Belorussia, Galicia, Pomerania, and Berlin. Utilizing these soldiers' memoirs, The French Who Fought for Hitler examines how these volunteers describe their exploits on the battlefield, their relations to civilian populations in occupied territories, and their sexual prowess. It also discusses how the volunteers account for their controversial decisions to enlist, to fight to the end, and finally to testify. Coining the concepts of 'outcast memory' and 'unlikeable vanquished', Philippe Carrard characterizes the type of bitter, unrepentant memory at work in the volunteers' recollections and situates it on the map of France's collective memory. In the process, he contributes to the ongoing conversation about memory, asking whether all testimonies are fit to be given and preserved, and how we should deal with life narratives that uphold positions now viewed as unacceptable.