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KIANNAN KIROUS
KIANNAN KIROUS Neuvostojoukot Suomussalmella 1939-40 Teos käsittelee neuvostojoukkojen kehityskaarta aina tsaarin ajasta 2000-luvun alkupuolelle saakka niin sisä- kuin ulkopoliittisten ristiriitojen, vallankumousten ja vallanhaluisten henkilöiden ja persoonallisuuksien häikäilemättömän vallankäytön myllerrysten sekamelskassa. Neuvostoliiton synkän historian saattelemana seurataan Puna-armeijan näkökulmasta Kainuun pohjoisosan sotarintaman tärkeimpiä tapahtumia vuosina 1939-40 ja esitellään useista eri tietolähteistä koottua yleiskuvausta neuvostojoukkojen talvisodan ankarista taisteluista Suomussalmella. Rajan ylitettyään Suomen kansan vapauttajat kokivat ikävän yllät...
Talvisota Suomussalmella III
TALVISOTA SUOMUSSALMELLA III Kirjan sisältö esittelee neuvostojoukkoja ja heidän taustojaan sekä sivuaa Puna-armeijan käymää ankaraa kamppailua Suomussalmen taisteluissa ja heidän sietämättömiä olojaan rintamalla. Kansien välistä löytyy lisäksi runsaasti erilaisia tilastoja neuvostoliittolaisten osalta, kuten suurarmeijan sotilaiden valtavaa kalustoa sekä heidän erilaisia aseitaan ja varusteitaan. Mukana on myös yksittäisten venäläissotilaiden paljon puhuvia kommentteja sekä Puna-armeijan johdon viestejä itärajan takaa. Sisällössä käsitellään myös Suomen armeijan omaa osuutta, jossa käydään läpi suomalaisen sotilaskoulutuksen alkuvaihetta ja sen kehityskaa...
España, Op. 165
In España: Six Album Leaves, Op. 165, Albéniz magically transports the listener to colorful locations, each with its own special Spanish flavor. These musical "postcards" are not particularly difficult to play, and are somewhere between the late intermediate and early advanced levels. This edition aids in interpretation through added fingerings, pedal and indications for subtle changes in tempo, which are integral to the performance of Spanish music. Dr. Kuehl-White studied in Barcelona with legendary Spanish pianist Alicia de Larrocha, who provided a tremendous legacy regarding the performance practice traditions of Albéniz’s music. España was initially published with many errors and omissions. Over the years, editors have produced new editions with some corrections, but little interpretive assistance. This edition not only contains numerous corrections, but also aids in interpretation through various additions in the score. Titles: * Prélude * Tango * Malagueña * Serenata * Capricho Catalán * Zortzico
Music in the Horror Film
Music in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.
Sound
First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening—listening without visual access to a sound’s cause—to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.
Terror Tracks
Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre.
