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The Last Lawyer is the true, inside story of how an idealistic legal genius and his diverse band of investigators and fellow attorneys fought to overturn a client's final sentence. Ken Rose has handled more capital appeals cases than almost any other attorney in the United States. The Last Lawyer chronicles Rose's decade-long defense of Bo Jones, a North Carolina farmhand convicted of a 1987 murder. Rose called this his most frustrating case in twenty-five years, and it was one that received scant attention from judges or journalists. The Jones case bares the thorniest issues surrounding capital punishment. Inadequate legal counsel, mental retardation, mental illness, and sketchy witness tes...
Traces the rise and fall of the horror genre from its nineteenth century beginnings to the present day, encompassing the lost films of the silent era, the Karloff and Lugosi chillers of the 1930's, the lurid classics from Hammer's house of horror and the explicit shockers of the 1970's.
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
This revised and updated edition of A History of Horrors traces the life and 'spirit' of Hammer, from its fledgling days in the late 1940s through its successes of the 1950s and '60s to its decline and eventual liquidation in the late 1970s. With the exclusive participation of all of the personnel who were key to Hammer's success, Denis Meikle paints a vivid and fascinating picture of the rise and fall of a film empire, offering new and revealing insights into 'the truth behind the legend.' Much has been written about Hammer's films, but this is the only book to tell the story of the company itself from the perspective of those who ran it in its heyday and who helped to turn it into a universal byword for terror on the screen.
Flat glass opens up more possibilities for the planner than virtually any other material. Because of the technological complexity of using it, however, no specific structural forms have been developed for glass supporting frameworks as they have been for wood, concrete, and steel. This book is thus the first to present a coherent guide to the planning and design of glass supporting frameworks. The focus is on the pressure-resistant, flat supporting element as a basic building block for broad supporting structures. The spatial and constructive forms of multifunctional, self-supporting glass envelopes are vividly illustrated and systematically explained. The constructions presented exhibit new aesthetic qualities, based not on the dictum of "dematerialization" but on the poetry of gleaming and transparent planes. They ring in a new chapter in the history of glass architecture.
Judge Craig B. Brown (Ret.) has been a fixture in the North Carolina justice system since the 1970s. Soon after he passed the bar in 1976, he came down with the first symptoms of the chronic illness, Behet's Syndrome and by 1992, he was legally blind. He was appointed to the Bench in 1996 and served as a judge during a tumultuous period in the Durham, North Carolina area He was judicially involved in the infamous Duke Lacrosse case and the murders of Eve Carson and Abhijit Mahato. Judge Brown tells of his time on the Bench and gives us insight into the momentous times of this twenty-first century.
Coverage of canonical and less-explored texts in fiction, film and museology. Innovative vision of how Gothic evokes the regions of Great Britain. The first work to consider Gothic and the regional experience at length.
In the 1950s, Hammer Film Productions, a small British filmmaking company, introduced the world to a new genre of motion picture. Referred to by some as "horror," by others as "fantasy," Hammer films had a unique look and feel that many other studios would later attempt—and fail—to capture. Hammer films also had a unique sound. For although the studio was small and the budgets limited, those involved in making the Hammer films recognized that the musical score was just as important as the set, the actors, and the script in telling the story. Consequently, Hammer Films Productions recruited the best musical talent to make its films come alive. Those artists and the work they did are chronicled here in careful detail by Randall D. Larson. From the studio's fledging days, through its great successes of the 60s and early 70s, Music from the House of Hammer offers an inside look at how the "Hammer sound" was developed and nurtured.
From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer. Examining acknowledged classics like The Wolf Man (1941) and The Howling (1981), as well as overlooked gems like Dog Soldiers (2011), this comprehensive filmography covers the highs and lows of the genre. Information is provided on production, cast and filmmakers, along with critical discussion of the tropes and underlying themes that make the werewolf a terrifying but fascinating figure.