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WINNER OF THE DUBLIN LITERARY AWARD AND THE RATHBONES FOLIO PRIZE LONGLISTED FOR THE BOOKER PRIZE AND THE WOMEN’S PRIZE The moving, powerful and urgent English-language debut from one of the brightest young stars in world literature
Evocative, erudite and consistently surprising, these narrative essays explore the places - real and imagined - that shape our lives. Whether wandering the familiar streets of her neighbourhood, revisiting the landmarks of her past, or getting lost in a foreign city, Valeria Luiselli plots a unique and exhilarating course that traces unexpected pathways between diverse ideas and reveals the world from a fresh perspective. Here, we follow Luiselli as she cycles around Mexico City, shares a cigarette with the night porter in her Harlem apartment, and hunts down a poet's tomb in Venice. Each location sparks Luiselli's nimble curiosity and prompts imaginative reflections and inventions on topics as varied as the fluidity of identity, the elusiveness of words that can't be translated, the competing methods of arranging a bookcase, and the way that city-dwellers evade eye-contact with their neighbours while spying on their lives. Sidewalks cements Luiselli's reputation as one of Latin America's most original, smart and exciting new literary voices.
This collection draws together 18 papers on topics in standard areas of traditional analytical philosophy, written from a feminist perspective. It brings out traditional philosophy by challenging it in a constructive, socially critical way that is essential for philosophy's fundamental goal of pursuing truth that matters.
In this book the author examines how women detectives are portrayed in film, in literature and on TV. Chapters examine the portrayal of female investigators in each of these four genres: the Gothic novel, the lesbian detective novel, television and film.
This collection of essays, the first of its kind in English or Italian, examines de Cespedes's major texts, asking how the author wrote against Fascism and beyond it. The essays engage current interpretive and heuristic tools and take on a matrix of issues ranging from semiotic to psychoanalytic, from feminist to historical, from a concern for mass culture to cultural studies.
In the heart of Mexico City a woman, trapped in a house and a marriage she can neither fully inhabit nor abandon, thinks about her past.She has decided to write a novel about her days at a publishing house in New York; about the strangers who became lovers and the poets and ghosts who once lived in her neighbourhood. In particular, one of the obsessions of her youth - Gilberto Owen - an obscure Mexican poet of the 1920s, a marginal figure of the Harlem Renaissance, a busker on Manhattan's subway platforms, a friend and an enemy of Federico Garca Lorca. As she writes, Gilberto Owen comes to life on the page: a solitary, faceless man living on the edges of Harlem's writing and drinking circles at the beginning of the Great Depression, haunted by the ghostly image of a woman travelling on the New York subway. Mutually distorting mirrors, their two lives connect across the decades between them, forming a single elegy of love and loss.
In Valeria Aloe’s Uncolonized Latinas we discover that, in order to improve the world, we must first start with ourselves. This book takes us on a journey to do just that. Along the way we meet immigrant Latinas and daughters of immigrants who, through trials and tribulations, have uncolonized their limiting mindsets and have found their true selves. This book teaches us to: - Embrace our individual and collective greatness, as we honor our stories and our ancestry. - Become more aware of the limiting cultural narratives that have been running us, many times unconsciously. - Strategize in an effort to better support a career or business, learning from those Latinas who figured out how to navigate the system. - Feel motivated, as a Latina, to take action to thrive in a career and life from a place of self-love and self-esteem. As an ally, feel more confident and become more effective when leading and mentoring diverse talent. Through this journey we can learn how to experience transformational change—open our heart, mind, and eyes.
The second book in the YA apocalyptic Wasteland trilogy. What if the fight for survival isn’t worth the cost? The collective isn’t the safe haven Alessandro had hoped it would be. Many of the members suspect he’d sell them out in an instant for his own benefit, and the threat of more assaults coupled with the dwindling food supply have left them with no other choice than to search for a more defensible location. Valeria is doing her best to grapple with her losses and adjust to her new reality, but when the collective’s leaders reveal the location of a secret underground agricultural facility and announce plans to move there, she fears they’re putting too much stock in the hope that the facility will be their salvation. Yet if everyone is to survive, they’ll need the facility’s technology to grow their own food. The perilous journey turns out to be the least of their worries. After a devastating betrayal, can the collective find the will to stay together or will they too dissolve, pitting member against member in a deadly battle for existence?
Matchmakers & Rogues is a collection of five Regency romance novels and novellas by author Caylen McQueen In An Impossible Bride, a wallflower finds herself in an unexpected love triangle. In Miss Lacey's Love Letters, a spinster finds a stack of romantic letters... and finds herself intrigued by their author. In A Gentleman's Challenge, a bedridden young lady falls in love. In Hardly a Gentleman, a young woman finds love after seven years of denying her feelings. In Miss Moseley the Matchmaker, a spinster, secretly in love with her best friend, faces an impossible task: finding a match for him.
According to an established interpretation, the transition from Hegel’s materialism to Marx’s materialism signifies a progressive development from an abstract-idealist theory of becoming, to a theory of the concrete actions of human beings within history. A Failed Parricide by Roberto Finelli offers an innovative reading of the Marx-Hegel relationship, arguing that the young Marx remained structurally subaltern to Hegel’s distinctive conception of the subject that becomes itself in relation to alterity. Marx’s early critique of Hegel is represented as a ‘failed parricide’, relying upon an organicist and spiritualist anthropology derived from Feuerbach’s presumed materialism. Only in Marx’s mature critique of political economy will he be able to return to this ‘primal scene’ and produce a distinctive theory of the role of formal determinations in social and political modernity. First published in Italian by Bollati Borighieri Editore as Un parricidio mancato. Il rapporto tra Hegel e il giovane Marx, Turin, 2004.