You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In its conventional meaning, masquerade refers to a festive gathering of people wearing masks and elegant costumes. But traditional forms of masquerade have evolved over the past century to include the representation of alternate identities in the media and venues of popular culture, including television, film, the internet, theater, museums, sports arenas, popular magazines and a range of community celebrations, reenactments and conventions. This collection of fresh essays examines the art and function of masquerade from a broad range of perspectives. From African slave masquerade in New World iconography, to the familiar Guy Fawkes masks of the Occupy Wall Street movement, to the branded identities created by celebrities like Madonna, Beyonce and Lady Gaga, the essays show how masquerade permeates modern life.
How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the ki...
How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the ki...
The fusion between fashion, technology and design is more dynamic than ever before and this collaboration has generated original materials and alternative fabrics. Featuring the work of innovative designers, FUTURE FASHION is essential for all those who want to stay on top of the emerging directions in fashion technology and devolpements in textiles and materials.
Unlocked is a book in the form of a photo narrative that attempts to unlock the depiction of the naked body in the post photographic, digital era. Based on an original idea and research by Vassilis Zidianakis the 512 page publication presents the work of more than 140 international photographers and artists and it takes the form of an original composition of images sourced from the internet and our constantly evolving relationship with photography and image.
In Unfolded—Paper in Design, Art, Architecture and Industry paper conquers the third dimension and demonstrates the undreamed-of possibilities it holds today for lightweight construction, product design, fashion and art. From "Paper", the collection of bags by Stefan Diez, to Konstantin Grcic’s paper models and the scented paper garments of Issey Miyake, this book presents paper as a high-quality contemporary and ecological material. An enormous selection of projects, the lavish design and numerous illustrations provide designers with invaluable inspiration for their work. The content core of the book is a comprehensive list of state-of-the-art paper products and innovative paper technologies, supporting designers in their everyday work with detailed information on the "high-tech" material paper. From Japanese washi paper and paper foam, to ceramic paper and carbon fiber paper, Unfolded presents the latest in research and development, as well as the most important methods and technologies in handcrafts and industry.
Not A Toy is the world's first comprehensive investigation into the growing influence of today's character culture on contemporary fashion and costume design. International artists create playful dresses, avant-garde costumes and hairstyles, re-inventing the human body and sending their radical, new characters onto the catwalk and beyond. The vast, colorful compilation, edited by Greek cultural organization for fashion research Atopos, highlights an international scene of established designers and introduces surprising, upcoming talents.
"Like the eponymous exhibition, this book begins with 1960s throwaway paper dresses, and launches into an examination of new ways to approach the invention and use of textiles and non-woven materials. It juxtaposes modern creations with paper garments from various cultures, analysing the history of paper and paper-like materials in relation to fashion, art, and design through creators like Anna Piaggi, John Galliano, Hussein Chalayan, Issey Miyake, Andy Warhol, Jackie Nickerson, Robert Wilson, Kosuke Tsumura, and many more. Essays by specialists address the various aspects of this humble material"--Publisher's description.
Since antiquity, religious beliefs and practices have inspired many of the world’s greatest works of art. These masterworks have, in turn, fueled the imaginations of fashion designers in the 20th and 21st centuries, yielding some of the most innovative creations in the history of fashion. Heavenly Bodies: Fashion and the Catholic Imagination explores fashion’s complex and often controversial relationship with Catholicism by examining the role of spirituality and religion in contemporary culture. This two-volume publication connects significant religious art and artifacts to their sartorial expressions. One volume features images of rarely seen objects from the Vatican —ecclesiastical garments and accessories—while the other focuses on fashions by designers such as Cristobal Balenciaga, Domenico Dolce and Stefano Gabbana, John Galliano, Jean Paul Gaultier, Madame Grès, Christian Lacroix, Karl Lagerfeld, Jeanne Lanvin, Claire McCardell, Thierry Mugler, Elsa Schiaparelli, and Gianni Versace. Essays by art historians and leading religious authorities provide perspective on how dress manifests—or subverts—Catholic values and ideology.