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Western Armenian Dictionary & Phrasebook
Western Armenian is the language spoken by most of the seven million Diaspora Armenians who live outside their historic homeland. Its speakers form the majority of Armenians in the United States and the Middle East. Armenian is written in its own unique script, but it is presented here in a Romanized, easy-to-use form for instant communication. In addition to a pronunciation guide, included are a resourceful two-way dictionary containing more than 4,000 entries, an informative grammar section, and a collection of travel-oriented phrases. Observations related to Armenian culture are interspersed throughout the phrasebook. There is also a brief history of the Armenian people and Diaspora.
Aramaic (Assyrian/Syriac) Dictionary & Phrasebook
Aramaic is now recognised throughout the world as the language spoken by Christ and the Apostles. Contrary to popular belief, however, it is very much a 'living' language spoken today by the Assyrian peoples in Iran, Iraq, Syria and Turkey. It is also heard in Assyrian emigre communities of the US, Europe and Australia. Modern Aramaic or Assyrian is made up of a number of dialects. The two major ones are Swadaya (Eastern) and Turoyo (Western). This unique dictionary and phrasebook incorporates both dialects in a way that illustrates the differences and gives the reader a complete understanding of both. The dialects are presented in an easy-to-read romanised form that will help the reader to be understood.
Intermediate Arabic Workbook
Having consolidated the essential elements of the Arabic language, this book progresses to the next stage. Readers of the first book in this series will be well prepared for the material and exercises provided at this intermediate level. It explores word and sentence structure with the emphasis on practical language usage in a working environment. The vocabulary has been expanded to 2100 words in a variety of domains ranging from community to computing. Exercises in form filling, interpreting charts and writing letters are provided. A variety of real forms and articles are given to enhance the student's language experience.
Picturing the Ottoman Armenian World
The Armenian contribution to Ottoman photography is supposedly well known, with histories documenting the famous Ottoman Armenian-run studios of the imperial capital that produced Orientalist visions for tourists and images of modernity for a domestic elite. Neglected, however, have been the practitioners of the eastern provinces where the majority of Ottoman Armenians were to be found, with the result that their role in the medium has been obscured and wider Armenian history and experience distorted. Photography in the Ottoman East was grounded in very different concerns, with the work of studios rooted in the seismic social, political and cultural shifts that reshaped the region and Armeni...
The Mediterranean Legacy in Early Celtic Christianity
Scholars have been intrigued by the similarities between the Celtic religious traditions and those developed in Egypt, Palestine and Asia Minor during the first Christian millenium. Jacob Ghazarian shows that despite limitations of geography, links between the opposite ends of the Christian world were extensive.
The Politics of Naming the Armenian Genocide
This book explores the genealogy of the concept of 'Medz Yeghern' ('Great Crime'), the Armenian term for the mass murder and ethnic cleansing of the Armenian ethno-religious group in the Ottoman Empire between the years 1915-1923. Widely accepted by historians as one of the classical cases of genocide in the 20th century, ascribing the right definition to the crime has been a source of contention and controversy in international politics. Vartan Matiossian here draws upon extensive research based on Armenian sources, neglected in much of the current historiography, as well as other European languages in order to trace the development of the concepts pertaining to mass killing and genocide of Armenians from the ancient to the modern periods. Beginning with an analysis of the term itself, he shows how the politics of its use evolved as Armenians struggled for international recognition of the crime after 1945, in the face of Turkish protest. Taking a combined historical, philological, literary and political perspective, the book is an insightful exploration of the politics of naming a catastrophic historical event, and the competitive nature of national collective memories.
Victims of Commemoration
“Confronting the past” has become a byword for democratization. How societies and governments commemorate their violent pasts is often appraised as a litmus test of their democratization claims. Regardless of how critical such appraisals may be, they tend to share a fundamental assumption: commemoration, as a symbol of democratization, is ontologically distinct from violence. The pitfalls of this assumption have been nowhere more evident than in Turkey whose mainstream image on the world stage has rapidly descended from a regional beacon of democracy to a hotbed of violence within the space of a few recent years. In Victims of Commemoration, Eray Çaylı draws upon extensive fieldwork he...
Narrative painting in nineteenth-century Europe
This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.
The Missing Pages
“[A] gripping, and at times unsettling, history of . . . the Zeytun Gospels, a lavishly illuminated Armenian book that miraculously survived centuries of war.” —The Wall Street Journal In 2010, the world’s wealthiest art institution, the J. Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality o...
