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Reflections: Contemporary Art of the Middle East and North Africa brings together an extraordinary collection of work from the British Museum for the first time. The contemporary art of the Middle East and North Africa is rich and vibrant. Whether living in their countries of birth or in diaspora, the featured artists are part of the globalised world of art. Here we see artists responding to and making work about their present, histories, traditions and cultures, reflecting on a part of the world that has experienced extraordinary change in living memory.The British Museum has been acquiring the work of Middle Eastern and North African artists since the 1980s, and the collection - principall...
Cette monographie retrace l'évolution de la pratique de l'artiste libanaise Laure Ghorayeb, de l'écriture au dessin et à la peinture. Seconde publication dans la série de la Saradar Collection, l'ouvrage inclut des textes de Venetia Porter, Maha Azizé Sultan, un entretien avec l'artiste et une sélection de dessins, peintures et poèmes de l'artiste de 1960 à 2017. Reconnue pour ses dessins complexes et détaillés à l'encre, son œuvre représente des chroniques de sa vie, ainsi que des événements et des personnes qui ont eu un impact sur celle-ci, tels que les guerres civiles libanaises et les membres de sa famille.
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The Hajj is the largest pilgrimage in the world today and a sacred duty for all Muslims. With contributions from renowned experts, this book opens out onto the full sweep of the Hajj: as a sacred path walked by early Islamic devotees, as a sumptuous site of worship under the care of sultans, and as an expression of faith in the modern world.
The annual ritual pilgrimage to Makkah was established by the Prophet Muhammad in the last year of his life (AD 632). Over the following centuries the experience and importance of Hajj have been evocatively documented in countless ways. Highlighting the pilgrims' journey across time, the sacred rituals of Hajj, and the city of Makkah itself, this beautiful little book features illuminated manuscripts, wall paintings and photographs, as well as calligraphy, textiles, scientific instruments, decorative tiles, maps, ceramics, metalwork and powerful works by contemporary artists. Published to coincide with a major exhibition at the British Museum, from 26 January to 15 April 2012.
'Thea's are the only clothes I never throw away.' Joan Collins
The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.
The first and only book on one of the finest private collections of contemporary Iranian art This sumptuous volume features almost 250 contemporary artworks and a selection of medieval and early modern Islamic art - the heralded collection of Mohammed Afkhami, a prominent player at the cultural and regional front line of Middle Eastern art. Honar (meaning 'art' in Farsi, the language of Iran), includes works ranging from the disturbingly subversive to exquisitely inclusive, exhibiting the pain of exile, the querying of ideology, and the artistic insistence on personal independence.
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments ...
A revealing history of Islamic architecture's influence on Europe's cathedrals, palaces and public buildings.