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Patricians and bankers - Confraternities and guilds - Religious and other festivals - Sports - Development and architecture of Venice - Venetian empire - Trade and traders - Merchants - Murano glass - Weavers - Ships - List of Patrician families - List of Doges of Venice.
The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars work...
A magisterial work of gripping history, City of Fortune tells the story of the Venetian ascent from lagoon dwellers to the greatest power in the Mediterranean - an epic five hundred year voyage that encompassed crusade and trade, plague, sea battles and colonial adventure. In Venice, the path to empire unfolded in a series of extraordinary contests - the sacking of Constantinople in 1204, the fight to the finish with Genoa and a desperate defence against the Turks. Under the lion banner of St Mark, she created an empire of ports and naval bases which funnelled the goods of the world through its wharfs. In the process the city became the richest place on earth - a brilliant mosaic fashioned from what it bought, traded, borrowed and stole. Based on first hand accounts of trade and warfare, seafaring and piracy and the places where Venetians sailed and died, City of Fortune is narrative history at its finest. Beginning on Ascension Day in the year 1000 and ending with an explosion off the coast of Greece - and the calamitous news that the Portuguese had pioneered a sea route to India - it will fascinate anyone who loves Venice and the Mediterranean world.
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinatin...
Venice Reconsidered offers a dynamic portrait of Venice from the establishment of the Republic at the end of the thirteenth century to its fall to Napoleon in 1797. In contrast to earlier efforts to categorize Venice's politics as strictly republican and its society as rigidly tripartite and hierarchical, the scholars in this volume present a more fluid and complex interpretation of Venetian culture. Drawing on a variety of disciplines—history, art history, and musicology—these essays present innovative variants of the myth of Venice—that nearly inexhaustible repertoire of stories Venetians told about themselves.
In this detailed history of the Venetian Republic, Hazlitt traces the political, social, and economic developments of the city-state from its founding to the end of its independence. He provides vivid descriptions of the key figures and events that shaped Venetian history and its eventual decline. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Republic of Venice is remembered chiefly as a maritime state, yet for most of the fifteenth century it exerted direct control over a substantial hinterland. Building upon recent research investigating the nature of relations between Venice and its territories, this study explores the policies employed by the Republic, and the extent to which these succeeded in endowing a heterogeneous territorial conglomeration with cohesion and unity.
Venice Transfigured examines changing representations of Venice and the Venetian Republic in Britain from the s17th century until the collapse of the Serene Republic in 1797, a period in which Venice was an ideological reference point and a potent cultural symbol. In the British political imagination, Venice became an important cultural site where politics and culture converged. This approach incorporates visual culture, festivity and ritual, history and historical myth, resulting in a multifaceted work that illuminates the relationship between political ideology and cultural production.