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In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a "communicative physics" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics. Theoretical consideration of digital technology Visual language and science New volume in the Applied Virtuality Book Series
Convivia is a journal that is interested in thinking what architectonics is or could be in the twenty-first century. Pre-specific to architecture, architectonics deals with the real in an abstract, yet edifying manner. Under architectonics, the indeterminacy brought by contemporary science is assumed as a liberation from ontological and epistemological principles, and welcomed as a fortunate occasion to understand and embrace the stating of any principle as an ‘art’ in itself—autonomous, yet not automatic or autarkic. Architectonic deals with the real in terms of a communicational physics, through articulations that are concrete yet reasoned in abstractive and projective manners. The journal aims to set the table for a series of banquets—of convivia—in which courses do not respond to mere needs or inconsequential delights of ‘consumption’. We focus on architectonic alloys of necessities and contingencies: necessities are bounded by contingencies, and contingencies are engendered through ‘figuring out’ what is necessary. Convivia’s interest is to ‘make cases’.
Free thinking, unconstrained by facts The book is based on the thesis that we live in a world of abundance, full of natural riches, and cultural artifacts, full of human intellect and powerful technologies. Our thinking, however, is dominated by the opposite, the notion of scarcity. The limits of nature act as an inevitable necessity. In his book, David Schildberger adopts a novel approach to the subject of resources, with the help of intelligent instruments that introduce new foods, such as chocolate made from cocoa cell cultures, and even a fruit-bearing vine raised far from a vineyard. With his imagined scenarios, the author invites the reader to dare stretch their intellectual imaginations and ultimately presents nature as a contingent. Conceptual models on the subject of nature and alternative ways of producing food Recommended reading for architectural IT specialists New volume in the Applied Virtuality Book Series
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
Edited by Ludger Hovestadt and Vera Bühlmann Applied Virtuality is a book series which is edited by Ludger Hovestadt, ITA Institute of Technology in Architecture, ETH Zürich, Switzerland and Vera Bühlmann, Technical University Vienna, Institute for Architectural Theory. Based on the thesis that technology changes character over time, the series aims and scopes are to reflect that change by describing and analyzing the most recent explorations and innovations in technology, as well as their implications for a more philosophically comprehensive understanding of technics in our contemporary symbolical, information saturated, climatic environments. The overall interest thereby is to (1) affir...
In this book, the editors focus on architecture and communication from various different perspectives – taking into account that the term “architecture” is used for buildings as well as in the context of computer software. Data and software also impact on our cities; raw data, however, do not convey any information – in order to generate information and communication they have to be organized and must make sense to the reader. The contributions avoid clear separation of the various communication spheres of their disciplines. Instead, they use the wide range of approaches to explore meanings – an ambitious aim that leaves the destination wide open; the reader is invited to share in this adventure.
In Natural Communication kritisiert der Autor das derzeitige Paradigma der Komplexitätswissenschaften, die Ziele immer spezifisch in den Blick nimmt. Er schlägt eine Alternative vor, die eine grundlegende Architektur der Kommunikation vorstellt. Sein Modell der „natürlichen Kommunikation" schließt moderne theoretische Konzepte aus Mathematik und Physik mit ein, insbesondere der Kategorietheorie und der Quantenmechanik. Er abstrahiert daraus präzise Grundbegriffe, die zu einer terminologischen Basis dieser Theorie führen und die Möglichkeit eröffnen, mit Komplexität neu umzugehen. Der Autor ist davon überzeugt, dass es nur durch einen Blick in die Vergangenheit möglich ist, eine Kontinuität und Kohärenz in unserer gegenwärtigen Denkweise herzustellen, insbesondere in Bezug auf die Komplexität.
In his 1979 essay The Postmodern Condition: A Report on Knowledge philosopher Jean-François Lyotard noted that the advent of the computer opened up a stage of progress in which knowledge has become a commodity. Modernity and postmodernity appear as two stages of a process resulting from the conflict of science and narrative. As science attempts to distance itself from narrative, it must create its own legitimacy. This paper takes up this challenge with a focus on the question of imagery. The image is precisely what modern science seeks to free itself from in its quest for absolute transparency. This transparency is examined from the perspective of architecture, drawing on arguments from philosophy, quantum mechanics, theology and information theory. Natural science in the context of postmodernism Quantum mechanics and information theory New volume in the Applied Virtuality Book Series
Radio signals keep making material, informational, political, and social connections in this world. Exploring these signals architectonically, the contributors engage with the situatedness of radio signal recordings in nature and with knowledge implied in radio communication. Rooted in experimental design and data feminism, the book presents innovative tools for navigating data by spanning media theory, information studies, and feminist new materialism. This offers an intersectional and post-disciplinary approach to computation, classification, and search that is accessible to artists, technologists, and researchers - facilitating interdisciplinary collaboration and deepening the understanding of information technologies.
This concise, precise, and inclusive dictionary contributes to a growing, transforming, and living research culture within both humanities scholarship and professional practices within the creative sectors. Its format of succinct starting definitions, demonstrations of possible routes of further development, and references to new and revisited concepts as “conceptual invitations” allows readers to quickly uptake and orient themselves within this exciting methodological field for didactic, scholarly and creative use, and as a starting point for further investigation for future contributions to the new canon of critical concepts. Critical Concepts for the Creative Humanities is the first book to outline and define the specific and evolving field of the creative humanities and provides the field’s nascent bibliography.