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These 301 letters between Verdi and Bioto show a picture of daily life of European art and artists during the last decades of the 19th century.
Giuseppe Verdi was born in obscurity in a tiny Italian village in 1813. When he died in 1901, hundreds of thousands of people turned out to pay their respects to the man whom many people consider as the best opera composer of all time. His career spanned more than half a century and included such successes as Rigoletto, La Traviata, Il Trovatore, Otello, Falstaff, and Aida, the most often-performed work at New York s Metropolitan Opera. Yet when he applied at a famous music school in Milan, he was turned down because he was lacking in musical talent. He not only proved the school wrong but became an important figure in Italian politics during the turbulent era when the scattered provinces came together to form a new nation. Along the way, he overcame obstacles such as the death of his first wife and two small children and the humiliation of being booed during the premiere of one of his early operas.
This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.
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Contains the complete text of the libretto with annotations in both English and Italian and a critical historical commentary. The text also includes the background of the composer, biographies of the principal singers and conductor. The two accompanying CDs contain the complete opera sung in Italian.
Giuseppe Fortunino Francesco Verdi (1813-1901) was an Italian Romantic opera composer, best known for Rigoletto, Aida, and La Traviata -- which follows the life, lioves and death of a courtesan, Violetta, from tuberculosis. Francesco Maria Piave (1810-1876) was an Italian opera librettist who worked with many of the significant composers of his day, writing 10 libretti for Verdi.
The English National Opera Guides were originally conceived in partnership with the English National Opera and edited by Nicholas John, the ENO's dramaturg, who died tragically in an accident in the Alps. Most of the guides are devoted to a single opera, which is described in detail--with many articles that cover its history and information about the composer and his times. The complete libretto is included in both the original language and in a modern singing translation--except where the opera was written in English. Each has a thematic guide to the most important musical themes in musical notation and each guide is lavishly illustrated. They also contain a bibliography and a discography which is updated at each reprint. The ENO guides are widely regarded as the best series of their kind and excellent value.
Verdi's War and Peace', writes Peter Conrad of this epic opera composed in 1862. It encompasses the extremes of a religious and secular existence - the worlds of the lovers pursued by an uncompromising fate and of the people in the scenes at the inn and on the battlefield. Despite its beautiful score, this opera has often seemed perplexing: Richard Bernas shows us how the music is devised as a convincing entity, and Bruce A. Brown traces the tortuous but fascinating history of its revisions. Here translated into English by Andrew Porter, La forza del destino deserves a serious reassessment.Contents: War and Peace, Peter Conrad; The Music of 'The Force of Destiny', Richard Bernas; The Revision of 'The Force of Destiny'; 'That Damned Ending', Bruce A. Brown; La forza del destino: Libretto by Francesco Piave (1862) with additions by Antonio Ghislanzoni (1869); The Force of Destiny: English translation by Andrew Porter
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