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Summary of Dee Dee Ramone & Veronica Kofman's Lobotomy
Please note: This is a companion version & not the original book. Sample Book Insights: #1 My mother was a showgirl dancer who met my father in Berlin in 1950. They fell in love and got married, but my father was thirty-eight years old and my mother was just seventeen when I was born. My mother had a restrictive life, even though Berlin was a big city with plenty of violent crime. #2 My father was constantly fighting with my mother and me, and I had no self-esteem. I was afraid of my parents and afraid of school. I was a child child child. #3 I liked everything that seemed rebellious. I would go to see the movie The Mummy with my mother, or The Ten Commandments on my own. The film was six hours long, so they had an intermission where they opened the exit doors so everyone could go outside and smoke a cigarette. #4 I had to live in a fantasy world when I was in the army. The real world was too fucked up for me. I would go to the Minute Market and steal all the glue and model paint I could, then put the glue in a bag and sniff it.
Lobotomy
Lobotomy is a lurid and unlikely temperance tract from the underbelly of rock 'n' roll. Taking readers on a wild rollercoaster ride from his crazy childhood in Berlin and Munich to his lonely methadone-soaked stay at a cheap hotel in Earl's Court and newfound peace on the straight and narrow, Dee Dee Ramone catapults readers into the raw world of sex, addiction, and two-minute songs. It isn't pretty. With the velocity of a Ramones song, Lobotomy rockets from nights at CBGB's to the breakup of the Ramones' happy family with an unrelenting backbeat of hate and squalor: his girlfriend ODs; drug buddy Johnny Thunders steals his ode to heroin, "Chinese Rock"; Sid Vicious shoots up using toilet water; and a pistol-wielding Phil Spector holds the band hostage in Beverly Hills. Hey! Ho! Let's go!
Poison Heart
A breakneck tour of a dysfunctional childhood, heroin, punk rock and the heyday of The Ramones. The tour guide? None other than the legendary Dee Dee Ramone. Internal wrangling, gruelling tours and methadone clinics form a backdrop to Johnny Thunders and Stiv Bators succumbing to their addictions, Dee Dee's girlfriend overdosing, Sid Vicious shooting up with toilet water and Phil Spector holding the band up at gunpoint in his Beverly Hills mansion. A gripping story from the now sadly deceased Ramone.
But is it Garbage?
Trash has been blowing across the rock'n'roll landscape since the first amplified guitar riff tore through American mass culture. Throwaway tunes, wasted fans, crappy reviews, junk bins of remaindered albums: much of rock's quintessence is handily conveyed in terms of disposability and impermanence. Steven L. Hamelman sums up these rubbishy affinities as rock's "trash trope." Trash is an obvious physical presence on the rock scene -- think of Woodstock's littered pastures or the many hotel rooms redecorated by the Who. More intriguingly, Hamelman says, trash is the catalyst for a powerful mode of rock composition and criticism. It is, for instance, both cause and effect when performers like the Ramones or Beck at once critique junk culture and revel in it. But Is It Garbage? spills over with challenging insights into how rock's creators, critics, and consumers transform, and are transformed by, trash as a fact and a concept. In the music's preoccupation with its own trashiness readers will perceive a wellspring of rock innovation and inspiration -- one largely overlooked and little understood until now.
The Rough Guide to Rock
Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.
The History of Alternative Rock
This volume discusses the history of alternative rock and the ethos of alt-rockers as rebels who value independence, experimentation, and truth-telling. Rather than making music for broad commercial appeal, these musicians drew from a variety of styles that were considered unfriendly for consumers. Over the years, alternative rock has spawned mash-ups of garage rock, punk, new wave, rap, thrash, and hardcore. This group of indie rockers not only created a new sound but also put forth a different attitude, as they outwardly rejected the musical standards and sales practices set by major record companies.
Wish the World Away
Through unrestricted access to Mark Eitzel himself, former band members, associates and friends, Sean Body has built up a portrait of an artist tortured by his own demons, yet redeemed by the aching beauty of his songs."Wish The World Away is an insightful quote-drenched post-mortem on a band who recorded a slew of unbearably moving records before getting chewed up by the music biz machine."-Uncut Magazine
The Politics of Punk
Punk rock has long been equated with the ever-shifting concepts of dissent, disruption, and counter-cultural activities. As a result, since its 1970s and 1980s incarnations, when bands in Britain—from The Clash and Sex Pistols to Angelic Upstarts, U.K. Subs, and Crass—offered alternative political convictions and subversive lifestyle choices, the media has often deemed punk a threat. Bands like Circle Jerks, Dead Kennedys, Bad Religion, and Millions of Dead Cops followed suit in America, pushing similar boundaries as the music mutated into a harsher “hardcore” style that branched deep into suburban enclaves. Those antagonisms and ideals were, in turn, translated by another wave of ba...
Icons of Rock [2 volumes]
More than half a century after the birth of rock, the musical genre that began as a rebellious underground phenomenon is now acknowledged as America's-and the world's-most popular and influential musical medium, as well as the soundtrack to several generations' worth of history. From Ray Charles to Joni Mitchell to Nirvana, rock music has been an undeniable force in both reflecting and shaping our cultural landscape. Icons of Rock offers a vivid overview of rock's pervasive role in contemporary society by profiling the lives and work of the music's most legendary artists. Most rock histories, by virtue of their all-encompassing scope, are unable to cover the lives and work of individual arti...
Atomic Tunes
What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
