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AS CHILDREN THEY PLAYED GAMES OF MYTH AND MAGIC... Veronica Kent fell in love with Caith Breckwood when they were children. As a teenager, she was certain he was the man she was destined to marry. But a traumatic event from Caith's past led him to fear a future together. He left Veronica, hoping to save her from a terrible fate. Twelve years later, Caith, now a P.I., is hired to investigate bizarre incidents at the secluded retreat Veronica manages. Returning to his hometown, Caith is forced to face his nightmares—and his feelings for the woman he’s always loved. THEN ONE DAY THE MONSTERS BECAME REAL. After the callous way Caith broke her heart, Veronica isn’t thrilled to see him again. But strange occurrences have taken a dangerous toll on business at Stone Willow Lodge. Forced to work together, Veronica discovers it isn’t ghostly apparitions that frighten her, but her passion for a man she has never forgotten. Or forgiven. Can two people with a tarnished past unearth a magical future?
Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up to the present with discussions of a globalized Merlin who finds his way into popul...
A man comes to Pembrose to visit Merlin's cave, but Minerva wonders if it is truly the sorcerer's cave.
Meet Merlin. He's Lucy's bright, beautiful son – who just happens to be autistic. Since Merlin's father left them in the lurch, Lucy has made Merlin the centre of her world. Struggling with the joys and tribulations of raising her adorable yet challenging child (if only Merlin came with operating instructions), Lucy doesn't have room for any other man in her life. By the time Merlin turns ten, Lucy is seriously worried that the Pope might start ringing her up for tips on celibacy, so resolves to dip a toe back into the world of dating. Thanks to Merlin's candour and quirkiness, things don't go quite to plan... Then, just when Lucy's resigned to singledom once more, Archie – the most impe...
Ayden Dracre, the youngest son in a family of notorious sorcerers, is content with his magical studies until Merlin leaves Caldaca in order to find a way to break his curse. While waiting for Merlin’s return, Ayden makes a mistake that causes him to question his magic. He soon discovers both his aunt and Merlin are in danger, and in order to save them, Ayden is pushed further than ever before. With two powerful enemies and a dark presence haunting him, Ayden will have to be very careful about who he trusts. Meanwhile, Merlin must rely on Ayden when his past returns to threaten his future.
In this first ever book-length treatment, 11 scholars with a variety of backgrounds in medieval studies, film studies, and medievalism discuss how historical and fictional medieval women have been portrayed on film and their connections to the feminist movements of the 20th and 21st centuries. From detailed studies of the portrayal of female desire and sexuality, to explorations of how and when these women gain agency, these essays look at the different ways these women reinforce, defy, and complicate traditional gender roles. Individual essays discuss the complex and sometimes conflicting cinematic treatments of Guinevere, Morgan Le Fay, Isolde, Maid Marian, Lady Godiva, Heloise, Eleanor of Aquitaine, and Joan of Arc. Additional essays discuss the women in Fritz Lang's The Nibelungen, Liv Ullmann's Kristin Lavransdatter, and Bertrand Tavernier's La Passion Beatrice.
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The tenth volume of Arthurian Literature continues some ofthe themes of earlier issues, as well as exploring unfamiliar andcontroversial ground. The second part of CHRISTINE POULSON's survey of the Arthurian legend in 19th-century art is an analysisby subject of the works catalogued by artist in Arthurian Literature IX. A. H. W. SMITH provides a substantial update to MaryWildman's bibliography of modern Arthurian literature which appearedin Arthurian Literature II, adding not only recent works butalso many items missing from the earlier list. Mr Smith also contributesan article on Ponticus Virumnius and the text of Gildas, one of themore intriguing mysteries of Arthurian text history, and sets outVirumnius' claim to have seen a poem by Gildas which has since disappeared. ARMEL DIVERRES writes on the origins of Chretien de Troyes'Conte del Graal; he argues that we should seek the poet's inspiration in the crusading activities of Philip of Flanders, supporting his case with a careful examination of many otherwise difficult passages in the poem.
Introduces students, scholars, and practitioners to the theory and history of the rule of law.