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"Werth weaves together complex analyses of these paintings and others by Manet, Gauguin, Seurat, Cezanne, and less well known artists with a consideration of their critical reception, literary parallels, and the social and cultural milieu. She moves from artistic concerns with tradition and avant-gardism, decoration and social art, composition and figuration to contemporary debates over human origins and social organization."--BOOK JACKET.
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
En esta obra, escrita por ms de cincuenta colegas y amigos, entre ellos los lorquistas ms destacados y gran parte de los hispanistas belgas, se abordan temas gratos al homenajeado: Federico Garca Lorca y la generacin del '27, la poesa espaola y latinoamericana, la edicin crtica, la retrica&ldots. Este libro de homenaje ofrece un excelente estado de la cuestin de los estudios lorquistas, presenta un testimonio actual del hispanismo belga e ilustra el papel central desempeado por Christian De Paepe en este campo de investigacin.
The first volume of the new series “European Avant-Garde and Modernism Studies” focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen countries, seek to bring out the complexity of the European avant-garde and modernism by relating it to Europe’s intricate history, multiculturalism and multilingualism. They aim to inquire into the divergent cultural views on Europe taking shape in avant-garde and modernist practices and to chart a composite image of the “other Europe(s)” that have emerged from the (contemporary) avant-...
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
In 1906, for the first time in his life, F.T. Marinetti connected the term ‘avant-garde’ with the idea of the future, thus paving the way for what is now commonly called the ‘modernist’ or ‘historical avant-garde’. Since 1906 the ties between the early twentieth-century European aesthetic vanguard and politics have been a matter of debate. With a century gone by, The Invention of Politics in the European Avant-Garde takes stock of this debate. Opening with a critical introduction to the vast research archive on the subject, this book proposes to view the avant-garde as a political force in its own right that may have produced solutions to problems irresolvable within its democratic political constellation. In a series of essays that combine close readings of texts and plastic works with a thorough knowledge of their political context, the book looks at avant-garde works as media producing political thought and experience. Covering the canonised avant-garde movements of Futurism, Expressionism, Dadaism and Surrealism, but also focussing on the avant-garde in Europe’s geographical outskirts, this book will appeal to all those interested in the modernist avant-garde.
Hugo Claus, generally recognized as the greatest living writer in the Dutch language, became famous in the theater for several early works of particular force and daring. This volume includes three of those remarkable early plays: Bride in the Morning, Sugar, and The Sacrament. All three plays boast unforgettable characters trapped in a world of oppressive social mores. The central figures are all subject to sexual and creative impulses towards objects of forbidden love that bring disapproval and censure crashing in on them, subsequently bringing about their own ruin.
Today's world is a world of nation-states; few have survived since the early modern period, some have existed for three hundred years, most came into being during the second part of the last century. Yet the equation between the state and the nation does not go back far in history, despite the prevailing tendency to view the state as closely linked to ethnicity. To challenge the latter this book attempts to examine statehood separately from the concept of ethnicity; it asks what is non-ethnic about statehood by looking at 'statehood before and beyond ethnicity'. A non-ethnic statehood is analysed in two forms: as a historical phenomenon at the time of the emergence of the early modern state (Part One) and as a historical tradition which had been pursued by the nation-builders in the nineteenth and twentieth centuries (Part Two). Instead of looking at great powers as traditional models of statehood, individual chapters focus on minor and less familiar states in Northern and Eastern Europe from the period c. 1600-2000, including Belgium, Bohemia, Greece, the Netherlands, Romania, Poland-Lithuania, Serbia and Montenegro, Sweden, Scotland and Transylvania.
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