Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Escultura
Situado en la encrucijada de la Ilustración y el Romanticismo, el pensamiento de Herder, esencialmente crítico e intempestivo, tiene una complejidad que no puede reducirse a las derivas irracionalistas que poco tenían que ver con el verdadero sentido de sus ideas. Estas reflexiones sobre la estética, a partir de la escultura, permiten aproximarse al pensamiento de un humanista radical.
Architecture for Spain's Recovered Democracy
Historical studies on the involvement of architecture in twentieth-century politics have overlooked its contribution to building Spain’s democracy. This pioneering book seeks to fill that void. Between the late 1970s and early 1990s, Spain founded representative institutions, launched its welfare state, and devolved autonomy to its regions. The study brings forth the architectural incarnation of that threefold program as it deployed in the Valencian Country, a Catalan-speaking region on Spain’s Mediterranean shores. There, social democratic authorities mobilized architects, planners, and graphic artists to devise a newly open public sphere and to recover a local identity that Franco’s ...
Madrid's Forgotten Avant-Garde
This book explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity which polarized Spanish society prior to the Civil War. The convergence of modern and essentialist discourses and practices, especially in literature and poetry, in what is conventionally called in Spanish letters "The Generation of '27", created fissures between competing views of aesthetics and ideology that cut across political affiliation. Silvina Schammah exposes the paradoxes facing Madrid's cultural vanguards, as they were torn by their ambition for universality, cosmopolitanism and transcendence on the one hand and by the centripetal forces of nationalistic ideologies on the other. Taking upon themselves roles to become the disseminators and populizers of radical positions and world-views first elaborated and conducted by the young urban intelligentsia, their proposed aim of incorporating diverse identities embedded in different cultural constructions and discourse was to have very real and tragic consequences as political and intellectual lines polarized in the years prior to the Spanish Civil War.
Ramón Gómez de la Serna
A celebrity in his own day, who gave lectures dressed as Napoleon or seated on the back of an elephant, Ramón Gómez de la Serna is the most representative writer of the interwar Spanish avant-garde. This book explores Gómez de la Serna's art and his quest to break down the barriers between literature and life, addressing two elements - already present in his work - of radical relevance in today's cultural debates: the relation of humans to the material world and the reduction of all experience to a singular individuality. Bringing Gómez de la Serna to an Anglophone audience, it reveals him to be the embodiment of a new kind of art on both sides of the Atlantic.
Aldo Iacobelli
This book provides an overview of Iacobelli's work from around 1984 to 2006. It includes his monumental drawings of the '80s, 'Side One' and 'Paintings In Oils, 'New Thinking Is Rare', 'DP', which comments on Australia's refugee politics.
Imagen y metáfora
La figura de Walter Benjamin ha venido adquiriendo en los últimos años una inesperada actualidad. Su contribución al pensamiento de nuestro siglo aparece hoy como una intervención singular e irrepetible, producto de una encrucijada cultural patentemente determinada por la conciencia de crisis generalizada por la modernidad. En este contexto, la presente investigación trata de ofrecer una aproximación informativa y ajustada al conjunto de la obra de Benjamin, en una lectura efectuada desde el punto de vista de la Estética. En consecuencia, el libro recorre puntualmente la sinuosa trayectoria de Benjamin desde sus tempranos escritos juveniles, pasando por su maduración crítica en sus trabajos en torno al universo romántico y el barroco, hasta su conversión al materialismo histórico y su explosiva dispersión en la obra de los Pasajes.
El arte como acontecimiento. Heidegger – Kandinsky
La autora tiende un puente entre las ideas de Heidegger -que entendía el arte como un acontecer de la verdad del ser- y de Kandinsky, que lo entendía como una revelación espiritual. Filósofo y artista coinciden en críticas al mundo del arte, tales como el arte por el arte, las disposiciones de la empresa artística o la exaltación del aspecto técnico de la obra.
