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Elsie Levy was born in the Jewish East End of London, came to Sydney with her family when she was 14, and joined the Communist Party of Australia when she was a young woman. In this book, her son explores her disaporic Jewish identity, both English and Australian, and in the process journeys into Jewish cultural histories. We meet important cultural figures such as Leonard Woolf, Freud, Schnitzler, Veza Canetti and Ida Rubinstein. This journey leads also to English anti-Semitism, including, shockingly, Bloomsbury. In turning to Communism and marrying out, Elsie Levy became one of history's undutiful daughters.
Paris at the turn of the century - Art Nouveau, Renoir, Toulouse-Lautrec and the Folies Bergere. This was the atmosphere which nurtured the artistic development of the remarkable dancer and choreographer Ida Rubinstein.This long-awaited biography gives us a unique insight into the life of a remarkable woman, responsible for a fascinating chapter of our artistic heritage. She was a chameleon, a diva, who lived many lives, overcoming the anti-Semitism of her times to enchant and captivate the highest of societies. Untrained as a dancer, Ida Rubinstein's charisma attracted collaborators such as Debussy, Stravinsky, Ravel, Cocteau, Bakst, and Benois.
This book is a comprehensive filmography of biographical films featuring the lives of 65 great classical composers. Performances analyzed include Richard Burton as Richard Wagner, Cornel Wilde as Frederic Chopin, Gary Oldman as Ludwig van Beethoven, Tom Hulce as Mozart, and Katharine Hepburn as Clara Schumann, among others. Arranged alphabetically by composer's name and illustrated1with stills and posters, the text provides a brief biography of each composer and analyzes the feature films portraying him or her. Emphasis is given to the factual accuracy of the screenplay, the validity of the portrayal, and the film's presentation of the composer's music.
Jose Limn is universally recognized as one of the most important modern dancers of the 20th century. His technique is still taught at major colleges and dance schools; his dance company continues to revive his works, plus presents new works. His most famous work, The Moor's Pavanne, has been presented around the world by ballet and modern dance companies. This book presents a series of essays about Limn's life and works by noted scholars and dancers who were associated with Limn. It serves as a perfect introduction to his choreography and legacy. The book should appeal to fans of modern dance.
This book also traces the evolution of the Spanish Dance technique, marked as it is by a turbulent history. Antonio Triana was a dancer of mature artistry, dignity and power. His physical and technical achievements went beyond what is generally known about Spanish Dance. His dance presented the essence of the Spanish character and, in his choreography, he used his traditional background for his brilliant inspirations. He partnered the legendary La Argentinita, Pilar Lopez and Carmen Amaya with spirit and gallantry. Over the years he developed a very distinct method of teaching and he became one of the foremost Spanish Flamenco dancers and teachers of his time. Rita Vega de Triana formed the Triana Ballet Español with her late husband. She currently teaches Hispanic dance and related subjects at the University of Texas at El Paso and directs her own school as well as performing around the United States as a guest artist and choreographer.
This book collects 250 stories about good deeds, including this one: When the great 19th-century actor Sir Henry Irving discovered an old woman who needed money to survive but who couldn't work, he would hire her to take care of the cats in his theater. Later, he was going to hire an old woman to take care of the cats, but then he discovered that he had already hired three old women to take care of the cats. Therefore, he hired this old woman to take care of the three old women who took care of the cats.
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
"First Published in 2002, Routledge is an imprint of Taylor & Francis, an informa company."
This book explores the ways in which music can engender religious experience, by virtue of its ability to evoke the ineffable and affect how the world is open to us. Arguing against approaches that limit the religious significance of music to an illustrative function, The Extravagance of Music sets out a more expansive and optimistic vision, which suggests that there is an ‘excess’ or ‘extravagance’ in both music and the divine that can open up revelatory and transformative possibilities. In Part I, David Brown argues that even in the absence of words, classical instrumental music can disclose something of the divine nature that allows us to speak of an experience analogous to contem...
The Routledge Handbook of Sport, Gender and Sexuality brings together important new work from 68 leading international scholars that, collectively, demonstrates the intrinsic interconnectedness of sport, gender and sexuality. It introduces what is, in essence, a sophisticated sub-area of sport sociology, covering the field comprehensively, as well as signalling ideas for future research and analysis. Wide-ranging across different historical periods, different sports, and different local and global contexts, the book incorporates personal, ideological and political narratives; varied conceptual, methodological and theoretical approaches; and examples of complexities and nuanced ways of understanding the gendered and sexualized dynamics of sport. It examines structural and cultural forms of gender segregation, homophobia, heteronormativity and transphobia, as well as the ideological struggles and changes that have led to nuanced ways of thinking about the sport, gender and sexuality nexus. This is a landmark work of reference that will be a key resource for students and researchers working in sport studies, gender studies, sexuality studies or sociology.