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Victor Herbert - The Biography Of America's Greatest Composer Of Romantic Music
One autumn night in the eighties a young Irishman of twenty-seven, who had passed most of his life in Germany, took his place in the orchestra pit of the Metropolitan Opera House to play the cello. His name was Victor Herbert. He had just arrived in New York, and from his obscure seat he looked around curiously at the mass of faces glowing weirdly in the vast, dim auditorium. He felt a symbolic force in the crowding immensity of the place, in the numerous dazzling points of light that leaped back from the precious stones on the hands and breasts of the women who sat in the two great curving tiers of boxes. What future was he to have in this land? The conductor emerged from the depths beneath...
Victor Herbert
Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater. Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents defined the sounds of a generation and made contemporary American music possible. Mining a wealth ...
Victor Herbert
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Victor Herbert Album
Born in Ireland and musically trained in Germany, Victor Herbert (1859-1924) was America's first great composer for the musical theater. The creator of more than 40 operettas, Herbert produced a series of popular and enduring stage works, including Babes in Toyland and Naughty Marietta. This treasury of tuneful favorites, reprinted directly from rare editions, comprises 37 beloved hits from Herbert's operettas. Selections include The Streets of New York, Moonbeams, Ah! Sweet Mystery of Life, Tramp! Tramp! Tramp!, Italian Street Song, Toyland, Gypsy Love Song, and many others. Also featured are four popular piano pieces — March of the Toys, Al Fresco, Dagger Dance, and Badinage — plus several rare vintage sheet music covers.
Victor Herbert
Victor Herbert is one of the giants of American culture. As a musician, conductor, and, above all, composer, he touched every corner of American musical life at the turn of the century, writing scores of songs, marches, concerti, and other works. But his most enduring legacy is on a different kind of stage, as one of the grandfathers of the modern musical theater. Now, Victor Herbert has the biography he deserves. Neil Gould draws on his own experience as a director, producer, and scholar to craft the first comprehensive portrait in fifty years of the Irish immigrant whose extraordinary talents defined the sounds of a generation and made contemporary American music possible. Mining a wealth ...
Victor Herbert
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Victor Herbert
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Babes in Toyland
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The Enchantress
This often over looked Victor Herbert musical was considered at the time when it was first produced one of Herbert's best scores. Critics hailed the play as "all that a musical show should be." Critics also acknowledged the book by Harry B. Smith, the forefather of today's modern musical, as "excellent" with "a consistently interesting and engaging story" of a Prince who is enchanted by a commoner, a beautiful actress. If he marries her he must forfeit his kingdom thus causing the serio-comic plotting on the part of spies, conspirators, and ambitious Princesses. First produced in 1911, the musical is one of the few successful Herbert scores which lacked a significant revival after its initial production.
The Musical
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
