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The Languages of Early Medieval Charters
This is the first major study of the interplay between Latin and Germanic vernaculars in early medieval records, examining the role of language choice in the documentary cultures of the Anglo-Saxon and eastern Frankish worlds.
Labour, Science and Technology in France, 1500-1620
For a generation, the history of the ancien régime has been written from the perspective of the Annales school, with its emphasis on the role of long-term economic and cultural factors in shaping the development of early modern France. In this detailed 1995 study, Henry Heller challenges such a paradigm and assembles a huge range of information about technical innovation and ideas of improvement in sixteenth-century France. Emphasising the role of state intervention in the economy, the development of science and technology, and recent research into early modern proto-industrialisation, Heller counters notions of a France mired in an archaic, determinist mentalité. Despite the tides of religious fanaticism and seigneurial reaction, the period of the religious wars saw a surprising degree of economic, technological and scientific innovation, making possible the consolidation of capitalism in French society during the reign of Henri IV.
Music, Discipline, and Arms in Early Modern France
In this groundbreaking new study, Kate van Orden examines noble education in the arts to show how music contributed to cultural and social transformation in early modern French society. She constructs a fresh account of music's importance in promoting the absolutism that the French monarchy would fully embrace under Louis XIV, uncovering many hitherto unpublished ballets and royal ceremonial performances. The great pressure on French noblemen to take up the life of the warrior gave rise to bellicose art forms such as sword dances and equestrian ballets. Far from being construed as effeminizing, such combinations of music and the martial arts were at once refined and masculine-a perfect way t...
Iron and Blood
Heller refutes Roland Mousnier's thesis that early modern France was a society of orders in which most people knew and accepted their status in society. This concept of order certainly had meaning for the sixteenth-century élite because of aristocratic domination over land and people, but it is not clear that this was also the view of the commoners. Heller maintains that for peasants, craftsmen, and merchants the decline of the French economy started at the beginning rather than the middle of the sixteenth century. This resulted in unrest which spread from town to countryside, culminating in the three great popular movements of the civil wars: the Calvinist Revolt of the 1560s, the Catholic...
The Musical Sounds of Medieval French Cities
Drawing upon hundreds of newly uncovered archival records, Gretchen Peters reconstructs the music of everyday life in over twenty cities in late medieval France. Through the comparative study of these cities' political and musical histories, the book establishes that the degree to which a city achieved civic authority and independence determined the nature and use of music within the urban setting. The world of urban minstrels beyond civic patronage is explored through the use of diverse records; their livelihood depended upon seeking out and securing a variety of engagements from confraternities to bathhouses. Minstrels engaged in complex professional relationships on a broad level, as with guilds and minstrel schools, and on an individual level, as with partnerships and apprenticeships. The study investigates how minstrels fared economically and socially, recognizing the diversity within this body of musicians in the Middle Ages from itinerant outcasts to wealthy and respected town musicians.
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Knights, Lords, and Ladies
At the beginning of the twelfth century, the region around Paris had a reputation for being the land of unruly aristocrats. Entrenched within their castles, the nobles were viewed as quarrelling among themselves, terrorizing the countryside, harassing churchmen and peasants, pillaging, and committing unspeakable atrocities. By the end of the century, during the reign of Philip Augustus, the situation was dramatically different. The king had created the principal governmental organs of the Capetian monarchy and replaced the feudal magnates at the royal court with loyal men of lesser rank. The major castles had been subdued and peace reigned throughout the countryside. The aristocratic familie...
Materialities
Ephemeral, fragile, often left unbound, sixteenth-century songbooks led fleeting lives in the pockets of singers and on the music desks of instrumentalists. Constantly in action, they were forever being used up, replaced, or abandoned as ways of reading changed. As such they document the acts of early musicians and the practices of everyday life at the unseen margins of elite society. Materialities is a cultural history of song on the page. It addresses a series of central questions concerning the audiences for written music by concentrating on the first genre to be commercialized by music printers: the French chanson. Scholars have long stressed that chansons represent the most broadly diss...
