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Bodies on the Front Lines
Revolutionary feminism, queer, and trans activist movements are traversing Latin America and the Caribbean. Bodies on the Front Lines situates recent performances and protests within legacies of homegrown gender and sexual rights activism from the South. Performances—enacted in public spaces and intimate venues, across national borders, and through circulating hashtags and digital media—play crucial roles in the elaboration, auto-theorization, translation, and reception of feminist, queer, and trans activism. Movements such as Argentina's NiUnaMenos (Not One Less) have brought masses of protesters and “artivists” on the streets of major cities in Latin America and beyond to denounce ...
Democracy and Empire
Democracy and Empire theorizes the material basis of popular sovereignty via the Black radical tradition. Popular sovereignty contains an affective attachment to wealth, secured through collective agreements to dominate others, i.e., self-and-other-determination. Inés Valdez expands on racial capitalism by theorizing its Anglo-European-based popular politics, which authorize capital accumulation enabled by empire and legitimated by racial ideologies. This stunts political projects in the Global South. Valdez masterfully outlines how social reproduction is provided by racialized others who sacrifice families and communities, and how the political alienation from nature in wealthy polities is mediated by technology and enabled by a joint devaluation of nature and manual labor performed by racialized others. The book concludes with a theorization of anti-imperial popular sovereignty based on political relations that encompass nature. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Self-Taught, Outsider and Folk Art
Much has changed in the world of self-taught art since the millennium. Many of the recognized "masters" have died and new artists have emerged. Many galleries have closed but few new ones have opened, as artists and dealers increasingly sell through websites and social media. The growth and popularity of auction houses have altered the relationship between artists and collectors. In its third edition, this book provides updated information on artists, galleries, museums, auctions, organizations and publications for both experienced and aspiring collectors of self-taught, outsider and folk art. Gallery and museum entries are organized geographically and alphabetically by state and city.
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An Art Therapist's View of Mass Murders, Violence, and Mental Illness
Unforeseen and precipitous violence is a reality of the times we live in, but it has always been a reality in the mental health profession. The main premise of this book is to make art therapists aware of the unpredictable violence that may occur in their day-to-day work with clients and the presence of potential danger. The author stresses the importance of preventive measures to ensure safety. The preface describes the horrific event the author witnessed and her realization that psychotherapy is a dangerous profession. The first chapter sets the stage for the exploration of mass murders, violence, creativity, and mental illness. Chapter 2 provides framework for the cultural context concern...
Central American Migrations in the Twenty-First Century
"Central American Migrations in the Twenty-First Century is an interdisciplinary approach to human mobility in Central America and beyond"--
Performing Trauma in Central Africa
What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities.
Global Human Smuggling
"This book explores human smuggling in several nuanced forms across diverse regions, examining its deep historical, social, economic, and cultural roots and its broad political consequences"--
We Are Made of Stories
A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse c...
Because I Don't Have Wings
For Mexican workers, the agricultural valleys of the inland Northwest are a long way from home. But there they have established communities, settlements recent enough that it feels like these newly arrived immigrant mexicanos are pioneers, still getting used to the Anglos and to each other. This book looks at the inner lives of Mexican immigrants in a northwestern U.S. boomtown, a loose collection of families from Michoacán and surrounding states living a mere 150 miles from Canada. They are more isolated than most mexicano communities closer to home, and they endure severe winters that make life more difficult still. Neighborhoods form, dissolve, and re-form. Family members who leave may s...
