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Contemporary Afro-Brazilian Short Fiction
Although Brazil is the largest Afro-descendant country outside of Africa, the literature produced by Black Brazilians is mostly unknown both in Brazil and abroad. There is a growing worldwide demand for Afro-descendant literature and a demand for decolonial practices and content, especially within Lusophone literature and literature across the Americas. Contemporary Afro-Brazilian Short Fiction emerges from a UCL-sponsored collaborative translation project, bridging Afro-Brazilian literature with a global audience to respond to the worldwide call for Afro-diasporic narratives. This unique compilation of 21 short stories includes both established and emerging Afro-Brazilian voices. The anthol...
The Vortex
“The most influential Colombian novel before Gabriel García Márquez.”—Times Literary Supplement A new translation of a Latin American classic, José Eustasio Rivera's The Vortex follows the young poet Arturo Cova and his lover, Alicia, as they elope from Bogotá and embark on an adventure through Colombia's varied and magical landscapes. When Alicia—pregnant, jealous, and more than a little fed up—disappears, it’s up to Arturo, and his unstoppable ego, to follow and win her back. From the cattle ranches of the llanos to the dense jungle of the rainforest, accompanied by hucksters, cowboys, desperate souls, and a terrifying tide of ants, Arturo pursues his bride-to-be, and becom...
This World Does Not Belong to Us
SHORTLISTED FOR THE TA FIRST TRANSLATION PRIZE * SHORTLISTED FOR THE PREMIO VALLE INCLAN SECRETS AND REVENGE CONVERGE IN THIS CHILLING TALE FROM A BREAKOUT NEW LATIN AMERICAN VOICE 'A deliciously menacing read which I just couldn't put down.' Jan Carson, author of The Raptures Many years have passed since Lucas was expelled from his childhood home by Felisberto and Eloy, the two strangers who arrived uninvited and slowly, insidiously, made it their own. Now Lucas is back, fully grown and intent on claiming his rightful inheritance. But he is not interested in the house as it once was, nor in his mother's lovingly planted flowerbeds - now conquered by weeds - nor in the lavish portraits covering every wall. Lucas belongs to a darker world, one crawling with the only creatures he really trusts: insects. As the house crumbles before his eyes, Lucas turns to the allies of his underground kingdom to help him take revenge. Weaving together past and present like a spider's web, This World Does Not Belong to Us is a spine-tingling story of human greed, from a masterful new literary voice.
Stranger to the Moon
A chilling allegorical novella by the masterful Colombian writer who poses timeless questions about violence and subjugation, power and freedom. Imagining the darkest of power imbalances in a dystopian world, in which the most vulnerable are held captive and wherein survival depends on the ability to remain anonymous, identity is a threat. Those who have everything would revel in the humiliation of others and identification brings with it the ultimate punishment. When hiding is no longer possible, the only choice may be to rebel. More frightening than the dystopia of Ishiguro's Never Let Me Go and with elements of the surreal to rival Kafka's Metamorphosis, Rosero's hypnotic tale builds in tension to deliver a crippling emotional punch.
Way Far Away
A short, unforgettable masterwork by one of Colombia’s most influential living novelists. Far Far Away is the Colombian master Evelio Rosero’s ninth novel and has been billed by his Spanish publisher as “one of the most important Colombian works of fiction written in the past two decades.” In search of his missing granddaughter Rosaura, an old man named Jeremías Andrade arrives in a town strewn with dead mice and overflowing with mist and fog. The owner of a rotten hotel and the dwarf who always accompanies her; children who play with sinister soccer balls and observe life from the ruined rooftops; an albino named Bonifacio who appears and disappears like a ghost; the cart driver whose only task is to pick up the mice piling up night after night; the charitable nuns in a nearby convent — these are the characters that converge in a vigil turned nightmare. Jeremías’s wanderings reveal a haunting truth, and a possibility of reunion in a place where all is lost, a forever-gaping abyss.
Take Six
Take Six is a celebration of six remarkable Portuguese women writers: Sophia de Mello Breyner Andresen, Agustina Bessa-Luís, Maria Judite de Carvalho, Hélia Correia, Teolinda Gersão and Lídia Jorge. They are all past mistresses of the short story form, and their subject matter ranges from finding one’s inner fox to a failed suicide attempt to a grandmother and grandson battling the wind on a beach. Stories and styles are all very different, but what the writers have in common is their ability to take everyday life and look at it afresh, so that even a trip on a ferry or an encounter with a stranger or a child’s attempt to please her father become imbued with mystery and humour and sometimes tragedy. Relatively few women writers are translated into English, and this anthology is an attempt to rectify that imbalance and to introduce readers to some truly captivating tales from Portugal.
House of Fury
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Tono the Infallible
An unforgettable yet humane novel that takes us into the heart of Colombia’s brutal society, by one of the country’s most renowned writers SHORTLISTED FOR THE 2023 PEN TRANSLATION PRIZE LONGLISTED FOR THE 2023 QUEEN SOFIA SPANISH INSTITUTE TRANSLATION PRIZE I was alone when someone pounded on my door. Who could it be? So begins Toño the Infallible, Evelio Rosero’s gripping novel about an intense relationship between a writer and a sociopath. Visited by his friend (a kind of Colombian Rasputin) seemingly at the verge of death, the writer, Eri, looks back on the arc of both of their lives. Unique in both its tone and its structure, the novel takes us from their student days (school figh...
Megacity
Absurd, extreme, pleasure-filled, crime-ridden. Sky-high meccas of opportunity, vast swathes of squalor. This is the megacity and this, in many ways, is our future. Not long ago these massive urban hubs with over 10 million people were an anomaly - in 1950 only New York and Tokyo could claim the title. Now, eight of the world's population live in thirty-three megacities with many more predicted to arrive and make these places their home in the coming years. MEGACITY brings together new writing from some of the most impenetrable corners of the world today with creativity, resilience and beautifully black humour. COVID-19 has thrived in megacities and poses unique challenges to the world’s d...
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