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Disguise plots in Elizabethan drama; a study in stage tradition
A comparative study of the five types of disguises and plot patterns found in Elizabethan drama. Specifically examines the female page, the boy bride, the rogue in multi-disguise, the spy in disguise, and the lover in disguise.
Pictorial Beauty on the Screen
In this book, the author contends that to be classified among the Arts, the Cinema must become something more than a series of clear photographs of things in motion. In other words, a motion picture must be composed of scenes that have certain pictorial qualifications, such as form, composition, and proper distribution of light and shade.
L'Art de faire des films
This book is the first traduction in French of the Victor Oscar Freeburg's pioneer essay published in 1918, The Art of Photoplay Making. Derived from its teaching in Columbia University, this book offers an artistic pedagogy of cinema and examine the possibilities for the new medium to become an art.
The Art of Photoplay Making
Met ind. - Ook aanwezig als facsimile-herdr.: New York : Arno [etc.], 1970. - 283, [18] p. : ill. ; 22 cm . - (Literature of cinema, The). ISBN 0-405-01612-3. - ISBN 0-404-1600-X (complete set).
Painting Culture, Painting Nature
In the late 1920s, a group of young Kiowa artists, pursuing their education at the University of Oklahoma, encountered Swedish-born art professor Oscar Brousse Jacobson (1882–1966). With Jacobson’s instruction and friendship, the Kiowa Six, as they are now known, ignited a spectacular movement in American Indian art. Jacobson, who was himself an accomplished painter, shared a lifelong bond with group member Stephen Mopope (1898–1974), a prolific Kiowa painter, dancer, and musician. Painting Culture, Painting Nature explores the joint creativity of these two visionary figures and reveals how indigenous and immigrant communities of the early twentieth century traversed cultural, social, ...
The Human Figure on Film
The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book. Each chapter is devoted to a single, central concept—the natural, the pictorial, the institutional, and the fictional—that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the n...
The Tenth Muse
The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, ...
DISGUISE PLOTS IN ELIZABETHAN
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