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Studio Ceramics
An extensive visual catalog and the primary reference for twentieth-century and contemporary British studio ceramics, and a record of the national collection of British ceramics held at the V&A. Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry, and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other art forms and culture at large. Recent experimentation with the medium owes much to the rapid evolutionof ceramics into an expanded field, and to the work of mid- to late 20th-century potters and their reinvention of ceramics as a radical and contemporary a...
Böttger Stoneware
Red Porcelain, 1709 made ready for production by Johann Friedrich Boettger and universally known as Boettger red stoneware, represented the most elegant ceramics in Europe before experimentation led to rediscovery in Europe of the coveted white hard-paste porcelain, also known as Meissen Porcelain. Finished by the application of sophisticated techniques, Boettger red stoneware soon ranked high in favor with princes, of whom ostentation was expected. Combined with ruby glass, silver, gold and precious stones, it also entered the exalted sphere of the court treasury. Beginning with the universal 'alchemist' Boettger himself, the present publication provides an overview of the ways artisans dealt creatively with this hard material, how models were drawn from goldsmiths' art and what role was played by Boettger red stoneware in the Baroque treasury of Augustus the Strong. Essays reveal that exquisitely finished Boettger stoneware also set trends in court art.
Studio Pottery
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Signs & Wonders
Edmund de Waal is one of the leading artists working with ceramics today. He has also specialised in various large-scale installations which show groups of ceramic vessels, often in historic architectural settings. Signs and Wonders will be the largest and most ambitious installation commission, to date, by any single artist in a public or private space, which will be placed at the heart of the recently reopened ceramic galleries in the V+A. This beautifully illustrated book provides a very personal narrative on how the galleries have generated new ways of working. Archival pictures and newly commissioned photography of the installation made up of 425 pieces, are shown alongside examples from the V+A's world famous ceramics collection,which have in turn inspired Signs and Wonders.
The Victoria and Albert Museum
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
