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A beautifully illustrated showcase of the rich and varied ceramic tradition of Iran Featuring a broad selection of objects from one of the most distinguished collections of Iranian art, this volume brings together over 1,000 years of Persian Islamic pottery. With more than 500 illustrations, authoritative technical treatises, and insightful commentary, Ceramics of Iran assembles a collection of rarely seen treasures from the Persian world and presents a collective history of its renowned ceramic tradition. Included among its comprehensive catalogue entries are numerous translations of the object’s inscriptions, providing readers with a richer and more detailed understanding of the cultural heritage from which these items are derived. In addition, the book contains new research and material from previously unknown sites. Featuring all new photography of nearly 250 objects, Ceramics of Iran brings the extraordinary contributions of Persian art into a wider historical context, along with a wealth of images to demonstrate the full scope of its intricate beauty.
In this richly illustrated volume, Oliver Watson presents a comprehensive history of ceramics from Islamic lands. Clear and informative essays examine the art, archaeology and collecting of Islamic pottery, ceramic families and technical traditions, and Islamic pottery over five centuries. This is an important book that provides a whole new framework for the understanding and study of Islamic ceramics, and will be of great interest to the general reader as well as being an invaluable reference work for the student and specialist.
Reprint of v. 1 (June 1868-Feb. 1875) included in v. 4.
"The book traces the history of persian lustre ware, concentrating mainly on the 'Golden Age' from c. 1170 to 1340, but noting the last revival of the technique in the 19th century, and describing some examples by Ali Muhammad dating from the end of the 19th century." -- ARTbibliographies Modern.
The book describes the history of a humble family that migrated from England to Ireland in the mid 17th c and put down roots at Kilconnor in County Carlow. By the end of the century many members of the family had joined the Society of Friends and concurrently the family had elevated its social and economic status as it enjoined with the landed gentry. During the late 17th c and 18th c family members left County Carlow and established themselves in other places in Ireland, including Counties Wexford, Tipperary, Dublin, Kildare, Laois and Offaly and later again in England Australia and New Zealand. Diversification in occupation followed, members entering the legal, military, banking and medica...
Presents a synthetic view of the social grounding of republicanism and liberalism in Worchester Country, Massachusetts, from its settlement to the eve of the Civil War.
Blackwater Betrayal tells the story of the ruthless, ill-conceived scorched earth actions by the Confederacy of Mill Town, or Milton, on the Blackwater River in the Western Florida Panhandle and the rest of the Pensacola Bay area. It tells the journey of John Geoghegan and how he became a successful blockade runner out of Pensacola. It is the story of Maria Moreno, the Spanish beauty whom John loves and almost loses. It is the story of Johns friend Ben Jernigan, engaged to French-educated Amanda Rucker. Ben has no interest in war, so he hides in Yellow River swamp to avoid conscription but finds himself drawn out to help his friend Caleb, a slave who has killed in self-defense. He gets Amanda and her friends out of Milton and finally leaves the Southern ruins with John and his friends on his ship, the Carolina.
The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme - the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kroger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.