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Living with the Locals comprises the stories of 13 white people who were taken in by Indigenous communities of the Torres Strait islands and eastern Australia between the 1790s and the 1870s, for periods from a few months to over 30 years. The shipwreck survivors, convicts and ex-convicts survived only through the Indigenous people's generosity. They assimilated to varying degrees into an Indigenous way of life and, for the most part, both parties mourned the white people's return to European life. The authors bring fresh insight to the stories and re-evaluate the encounters between Indigenous people and the white people who became part of their families.
Showcasing some of the latest and most interesting work in Australia on gender and crosscultural history, this unique collection offers a diverse group of essays about the complex roles white women played in Australian Indigenous histories.
An innovative exploration of Victorian art and politics that examines how paintings and newspaper illustrations visualized franchise reform.
The research for this book commenced in 1988 while the author was serving in the Army. In the years since, numerous sources have been consulted, but career imperatives left insufficient time to complete the project until retirement from the military. In the past the author spent many days on the First and Second World War battlefields wondering precisely where the Victoria Cross actions took place. He resolved to find out.??The book is designed for the armchair reader as much as the battlefield visitor. A detailed account of each VC action sets it in the wider strategic and tactical context. Detailed sketch maps show the area today, together with the battle-lines and movements of the combata...
This book brings together long-obscured histories to discuss Australia’s cultural, social, and political diversity in depth. The history of Australia’s migrant and minority print media reveals extensive evidence for the nation’s global connectedness, from the colonial era to today. A fascinating and complex picture of Australia’s long-term transnational ties emerges from the smaller enterprises of individuals and communities in the distant and more recent past. This book explores the authentic voices of minority groups which challenged the dominant experiences, patterns, and debates that have shaped Australia.
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
Family history and genealogical information about the descendants of Jonas Haskins who was born 14 February 1788. He is believed to be the son of Jonah Haskins and Comfort (surname unknown) who both lived in Dutchess Co., New York. Jonas married Rhoda Pennock 27 September 1812 in Litchfield Co., Connecticut. They lived in Harrison Co., Ohio and were the parents of ten known children. Descendants lived primarily in Ohio.
Australia's Empire is the first collaborative evaluation of Australia's imperial experience in more than a generation. Bringing together poltical, cultural, and aboriginal understandings of the past, it argues that the legacies of empire continue to influence the fabric of modern Australian society.